《亲爱的小孩》
杨德昌式·建筑深空间电影风格

成片时长约52秒；H3原始六段方案约62秒，保留制作时原文。
生图部分按基础生成与后续精修原文顺序记录。

隔桌：怒吼追责
版本：膝上定稿 · 原始生成与精修
来源：F:\经典片段二创\亲爱的小孩\三视图与分镜_20261010\交付文档\人物三视图与分镜生成提示词.md

Edit image 1 into the definitive FIRST story frame of an explosive adult domestic argument. Preserve the camera exactly: both seated figures visible FROM THEIR KNEES TO THEIR ENTIRE HEAD TOPS, 16:9, no lower legs or shoes. Preserve the room, table, props, left woman / right man geography. Match the approved actual identities and plain clothing of images 2 female / 3 male. Image4 is emotion reference ONLY not actor identity/clothes.
CRUCIAL TWO REPAIRS:
1) Woman must be visibly SCREAMING WITH EXTREME RAGE FROM THE VERY FIRST LINE, not merely questioning. Her mouth is fully vertically OPEN in a forceful anguished yell with anatomically natural teeth and tongue; deeply drawn brows, very tense lower eyelids and furious widened eyes fixed on the man, nostrils flare, cheeks/neck/jaw physically braced from screaming, head thrust toward him, shoulders braced, pointing arm rigid. Her angry humiliation and emotional breakdown are simultaneous. Not gentle or controlled, not a smiling open mouth, not glamor tears. The whole story is fury and strained hoarse screaming from start to finish, not a build from mild anger. Male listener's face shows severe rage, knitted brows, clenched jaw, penetrating angry glare, crushed cloth in right fist, braced shoulder; he is not neutral, sad, calm, or merely pensive.
2) REMOVE ALL VISIBLE PATTERNS from man's shirt: it must be SOLID PLAIN MATTE DARK NAVY cotton, with only physically normal wrinkles and fine cotton grain. No paisley, floral, tonal embroidery or printed motifs.
Both retain approved unique Chinese adult faces, female black low ponytail and small silver stud earrings, cream fine knit Vneck and camel pants; male hair/clean shave/navy rolled sleeves/taupegray pants. Healthy natural matte skin with restrained real small pores, varied skin tones, no oily nose/forehead/cheek shine, no airbrushing, no synthetic dotted pore effect.
Table continuity red closed notebook left, bluewhite mug left, clear flowers vase central, pale cloth in man's right fist. Graywhite wooden everyday lived-in apartment, ordinary diffuse daylight, readable doorway and balcony in depth, near right gray ENTRY door separate from background balcony. Natural drama production still. No typography, subtitles, numbers, captions or watermarks. One single still, not collage.


拍本子：怒吼质问
版本：膝上定稿 · 原始生成与精修
来源：F:\经典片段二创\亲爱的小孩\三视图与分镜_20261010\交付文档\人物三视图与分镜生成提示词.md

Create ONE photorealistic live-action storyboard still, horizontal 16:9, continuous domestic argument. Ref1 fixes the EXACT approved woman face/body/wardrobe. Ref2 fixes the EXACT approved man face/body/wardrobe. Ref3 is our scene/camera/anger master: preserve the room geography, ordinary neutral daylight, props and consistent identity. Woman 170cm design, man180cm design. Woman low black ponytail, small silver studs, cream fine knit shallow Vneck sweater, light camel highwaisted trousers dark brown belt. Man neat short black hair, clean-shaven, PLAIN SOLID MATTE NAVY cotton button shirt sleeves rolled forearms, NO patterns/paisley/tonal floral motif, taupe-gray trousers dark brown belt.
CRITICAL FRAMING EVERY PERSON from KNEES to COMPLETE TOP OF HEAD, both kneecap region and full heads included; lower legs and shoes outside picture. NOT chest-up/waist-up, NOT full body, NOT distant wide. The actors fill most picture height, top headroom just3–5%; camera follow their posture if seated, standing or kneeling to retain knee-to-head. Anatomically correct real adults.
PERFORMANCE is already MAXIMALLY ANGRY, HOARSE STRAINED SCREAMING from the FIRST spoken word to the last. No calm beginning or gentle ending. Anger does not slowly develop into shouting; it is here throughout. Speaker caught in powerful enraged open-mouthed yell with vertically open jaw, tense neck, knitted brow, tense lower eyelids, sharp angry gaze, braced chest/shoulders, natural teeth/tongue. Listening counterpart holds unmistakably furious jaw/brow/tensed hands, not vacant polite silence. Rage and breakdown can coexist; never glamorous sadness or smiling. Match unique identity under expression, not grotesque distortion.
Natural healthy MATTE facial skin, small realistic pores, normal color irregularity, subtle lines, zero oily specular forehead/nose/cheeks, no beauty gloss, plastic smoothing or exaggerated fake grain. Real cotton/wood textures, subdued graywhite/wood colors, readable lived-in spatial depth, no unified green/orange tint or studio glamour light. Foreground table/door and rear doorway/window retain geography without small actors.
ROOM: woman LEFT and man RIGHT of foreground rectangular brown wooden table at start; sofa/bookshelf on left, TV/low console on right, rear opening shows dining and balcony in center; actual solid gray entry door near right separate from balcony. A narrow shallow freestanding dark wood 3-drawer entry cabinet is beside gray door, distinct from TV console. Table props: red notebook LEFT, bluewhite mug LEFT, clear daisy vase CENTER; pale cloth in man's RIGHT hand until specified placed table right. No duplicated tables/doors/people. No typography/numbers/subtitles/logo/black bars/borders. Single still, not collage.

SHOT: same seated knee-to-head two-person angle as master. Capture woman's RIGHT palm forcefully slapping closed red notebook DOWN onto tabletop left, after small lift, flat notebook now contacts table, left hand braces chair/table. She thrusts forward SCREAMING in fury at man, mouth fully open, eyes fierce. Man seated right snaps fierce gaze up, clenched jaw, right fist grips cloth. Mug/vase undisturbed. Clear book-on-table contact, not airborne projectile, not reaching for his face. Dialogue meaning: 'You say that to me? What kind of fucking person are you?' Keep recognizable knees despite table.


起身：怒吼顶撞
版本：膝上定稿 · 原始生成与精修
来源：F:\经典片段二创\亲爱的小孩\三视图与分镜_20261010\交付文档\人物三视图与分镜生成提示词.md

Create ONE photorealistic live-action storyboard still, horizontal 16:9, continuous domestic argument. Ref1 fixes the EXACT approved woman face/body/wardrobe. Ref2 fixes the EXACT approved man face/body/wardrobe. Ref3 is our scene/camera/anger master: preserve the room geography, ordinary neutral daylight, props and consistent identity. Woman 170cm design, man180cm design. Woman low black ponytail, small silver studs, cream fine knit shallow Vneck sweater, light camel highwaisted trousers dark brown belt. Man neat short black hair, clean-shaven, PLAIN SOLID MATTE NAVY cotton button shirt sleeves rolled forearms, NO patterns/paisley/tonal floral motif, taupe-gray trousers dark brown belt.
CRITICAL FRAMING EVERY PERSON from KNEES to COMPLETE TOP OF HEAD, both kneecap region and full heads included; lower legs and shoes outside picture. NOT chest-up/waist-up, NOT full body, NOT distant wide. The actors fill most picture height, top headroom just3–5%; camera follow their posture if seated, standing or kneeling to retain knee-to-head. Anatomically correct real adults.
PERFORMANCE is already MAXIMALLY ANGRY, HOARSE STRAINED SCREAMING from the FIRST spoken word to the last. No calm beginning or gentle ending. Anger does not slowly develop into shouting; it is here throughout. Speaker caught in powerful enraged open-mouthed yell with vertically open jaw, tense neck, knitted brow, tense lower eyelids, sharp angry gaze, braced chest/shoulders, natural teeth/tongue. Listening counterpart holds unmistakably furious jaw/brow/tensed hands, not vacant polite silence. Rage and breakdown can coexist; never glamorous sadness or smiling. Match unique identity under expression, not grotesque distortion.
Natural healthy MATTE facial skin, small realistic pores, normal color irregularity, subtle lines, zero oily specular forehead/nose/cheeks, no beauty gloss, plastic smoothing or exaggerated fake grain. Real cotton/wood textures, subdued graywhite/wood colors, readable lived-in spatial depth, no unified green/orange tint or studio glamour light. Foreground table/door and rear doorway/window retain geography without small actors.
ROOM: woman LEFT and man RIGHT of foreground rectangular brown wooden table at start; sofa/bookshelf on left, TV/low console on right, rear opening shows dining and balcony in center; actual solid gray entry door near right separate from balcony. A narrow shallow freestanding dark wood 3-drawer entry cabinet is beside gray door, distinct from TV console. Table props: red notebook LEFT, bluewhite mug LEFT, clear daisy vase CENTER; pale cloth in man's RIGHT hand until specified placed table right. No duplicated tables/doors/people. No typography/numbers/subtitles/logo/black bars/borders. Single still, not collage.

SHOT: both now STANDING opposite sides of same table, man right first rises, woman left immediately rises in furious retort. Knee-to-head composition is adjusted to standing bodies, full top heads, knees at bottom. Male palm LEFT hand projects a forceful downward commanding gesture, RIGHT hand holds cloth at waist, mouth open in furious command. Female forward braced shouting back, hands on table edge, open mouth shaped for an angry response. Chairs both displaced a little backwards from table. Woman not smiling. Lines: man 'Watch your mouth'; woman 'What's wrong with my mouth? Today I'm insulting you.' Still table separates, no contact.


Make a precise LOCAL WARDROBE EDIT to image1 only. REMOVE all ornamental markings, swirls, tonal floral/paisley, printed or embossed patterns from the MAN'S NAVY SHIRT. Make every area of that shirt clean PLAIN SOLID DARK NAVY MATTE cotton, with ordinary folds and seams only, exactly like the plain shirt in image2. Do not merely reduce pattern opacity: eliminate the pattern entirely, on both sleeves, shoulders, chest pocket and torso. Image2 is reference for PLAIN CLOTH ONLY, do not copy its seated poses. Preserve image1 faces, identities, strong screaming expressions, every hand/finger, arm gestures and cloth prop, positions, room/table/door, camera distance and knee-to-head crop. Preserve true cotton texture without decoration. Do not smooth skin or add any gloss. Preserve entire head, giving man's hair a little3% safe headroom by careful recomposition while keeping knees as lower edge. Original single horizontal16:9 still. No text or overlays.


标签：嘶吼回击
版本：膝上定稿 · 原始生成与精修
来源：F:\经典片段二创\亲爱的小孩\三视图与分镜_20261010\交付文档\人物三视图与分镜生成提示词.md

Create ONE photorealistic live-action storyboard still, horizontal 16:9, continuous domestic argument. Ref1 fixes the EXACT approved woman face/body/wardrobe. Ref2 fixes the EXACT approved man face/body/wardrobe. Ref3 is our scene/camera/anger master: preserve the room geography, ordinary neutral daylight, props and consistent identity. Woman 170cm design, man180cm design. Woman low black ponytail, small silver studs, cream fine knit shallow Vneck sweater, light camel highwaisted trousers dark brown belt. Man neat short black hair, clean-shaven, PLAIN SOLID MATTE NAVY cotton button shirt sleeves rolled forearms, NO patterns/paisley/tonal floral motif, taupe-gray trousers dark brown belt.
CRITICAL FRAMING EVERY PERSON from KNEES to COMPLETE TOP OF HEAD, both kneecap region and full heads included; lower legs and shoes outside picture. NOT chest-up/waist-up, NOT full body, NOT distant wide. The actors fill most picture height, top headroom just3–5%; camera follow their posture if seated, standing or kneeling to retain knee-to-head. Anatomically correct real adults.
PERFORMANCE is already MAXIMALLY ANGRY, HOARSE STRAINED SCREAMING from the FIRST spoken word to the last. No calm beginning or gentle ending. Anger does not slowly develop into shouting; it is here throughout. Speaker caught in powerful enraged open-mouthed yell with vertically open jaw, tense neck, knitted brow, tense lower eyelids, sharp angry gaze, braced chest/shoulders, natural teeth/tongue. Listening counterpart holds unmistakably furious jaw/brow/tensed hands, not vacant polite silence. Rage and breakdown can coexist; never glamorous sadness or smiling. Match unique identity under expression, not grotesque distortion.
Natural healthy MATTE facial skin, small realistic pores, normal color irregularity, subtle lines, zero oily specular forehead/nose/cheeks, no beauty gloss, plastic smoothing or exaggerated fake grain. Real cotton/wood textures, subdued graywhite/wood colors, readable lived-in spatial depth, no unified green/orange tint or studio glamour light. Foreground table/door and rear doorway/window retain geography without small actors.
ROOM: woman LEFT and man RIGHT of foreground rectangular brown wooden table at start; sofa/bookshelf on left, TV/low console on right, rear opening shows dining and balcony in center; actual solid gray entry door near right separate from balcony. A narrow shallow freestanding dark wood 3-drawer entry cabinet is beside gray door, distinct from TV console. Table props: red notebook LEFT, bluewhite mug LEFT, clear daisy vase CENTER; pale cloth in man's RIGHT hand until specified placed table right. No duplicated tables/doors/people. No typography/numbers/subtitles/logo/black bars/borders. Single still, not collage.

SHOT: standing KNEE-to-head medium two-shot, woman LEFT opens both arms in furious wounded defiance, chin raised, jaw wide OPEN SCREAMING back, contracted brow and tense throat. Man RIGHT furious with contempt, clenched face, his RIGHT hand with pale cloth extended toward her but with clear air gap no face contact; keep his arm anatomically reachable across near table edge. Woman's face visible threequarter not hidden by arm. Moment female response 'Of course I'm a shrew!' to his shouted label. Chairs displaced, red notebook/mug/vase unchanged.


Make a precise LOCAL WARDROBE EDIT to image1 only. REMOVE all ornamental markings, swirls, tonal floral/paisley, printed or embossed patterns from the MAN'S NAVY SHIRT. Make every area of that shirt clean PLAIN SOLID DARK NAVY MATTE cotton, with ordinary folds and seams only, exactly like the plain shirt in image2. Do not merely reduce pattern opacity: eliminate the pattern entirely, on both sleeves, shoulders, chest pocket and torso. Image2 is reference for PLAIN CLOTH ONLY, do not copy its seated poses. Preserve image1 faces, identities, strong screaming expressions, every hand/finger, arm gestures and cloth prop, positions, room/table/door, camera distance and knee-to-head crop. Preserve true cotton texture without decoration. Do not smooth skin or add any gloss. Preserve entire head. Original single horizontal16:9 still. No text or overlays.


挑衅：对骂不退
版本：膝上定稿 · 原始生成与精修
来源：F:\经典片段二创\亲爱的小孩\三视图与分镜_20261010\交付文档\人物三视图与分镜生成提示词.md

Create ONE photorealistic live-action storyboard still, horizontal 16:9, continuous domestic argument. Ref1 fixes the EXACT approved woman face/body/wardrobe. Ref2 fixes the EXACT approved man face/body/wardrobe. Ref3 is our scene/camera/anger master: preserve the room geography, ordinary neutral daylight, props and consistent identity. Woman 170cm design, man180cm design. Woman low black ponytail, small silver studs, cream fine knit shallow Vneck sweater, light camel highwaisted trousers dark brown belt. Man neat short black hair, clean-shaven, PLAIN SOLID MATTE NAVY cotton button shirt sleeves rolled forearms, NO patterns/paisley/tonal floral motif, taupe-gray trousers dark brown belt.
CRITICAL FRAMING EVERY PERSON from KNEES to COMPLETE TOP OF HEAD, both kneecap region and full heads included; lower legs and shoes outside picture. NOT chest-up/waist-up, NOT full body, NOT distant wide. The actors fill most picture height, top headroom just3–5%; camera follow their posture if seated, standing or kneeling to retain knee-to-head. Anatomically correct real adults.
PERFORMANCE is already MAXIMALLY ANGRY, HOARSE STRAINED SCREAMING from the FIRST spoken word to the last. No calm beginning or gentle ending. Anger does not slowly develop into shouting; it is here throughout. Speaker caught in powerful enraged open-mouthed yell with vertically open jaw, tense neck, knitted brow, tense lower eyelids, sharp angry gaze, braced chest/shoulders, natural teeth/tongue. Listening counterpart holds unmistakably furious jaw/brow/tensed hands, not vacant polite silence. Rage and breakdown can coexist; never glamorous sadness or smiling. Match unique identity under expression, not grotesque distortion.
Natural healthy MATTE facial skin, small realistic pores, normal color irregularity, subtle lines, zero oily specular forehead/nose/cheeks, no beauty gloss, plastic smoothing or exaggerated fake grain. Real cotton/wood textures, subdued graywhite/wood colors, readable lived-in spatial depth, no unified green/orange tint or studio glamour light. Foreground table/door and rear doorway/window retain geography without small actors.
ROOM: woman LEFT and man RIGHT of foreground rectangular brown wooden table at start; sofa/bookshelf on left, TV/low console on right, rear opening shows dining and balcony in center; actual solid gray entry door near right separate from balcony. A narrow shallow freestanding dark wood 3-drawer entry cabinet is beside gray door, distinct from TV console. Table props: red notebook LEFT, bluewhite mug LEFT, clear daisy vase CENTER; pale cloth in man's RIGHT hand until specified placed table right. No duplicated tables/doors/people. No typography/numbers/subtitles/logo/black bars/borders. Single still, not collage.

SHOT: standing knee-to-head same room but modest oblique eye-level angle showing both faces and man's anger. Man RIGHT leans forward, jaw WIDE OPEN in aggressive furious scream, clenched brow and taut neck, RIGHT hand gripping cloth swung OUTWARD at chest height toward right, not at woman. Woman LEFT rigid furious stance, left hand clenched at side, other points at him, harsh furious retort mouth not smiling. Dialogue meaning his 'Yes ... I like sleeping with others', her 'You are rotten'. Everyone remains separate sides of table. High amplitude rage, no comic villain grin.


Make a precise LOCAL WARDROBE EDIT to image1 only. REMOVE all ornamental markings, swirls, tonal floral/paisley, printed or embossed patterns from the MAN'S NAVY SHIRT. Make every area of that shirt clean PLAIN SOLID DARK NAVY MATTE cotton, with ordinary folds and seams only, exactly like the plain shirt in image2. Do not merely reduce pattern opacity: eliminate the pattern entirely, on both sleeves, shoulders, chest pocket and torso. Image2 is reference for PLAIN CLOTH ONLY, do not copy its seated poses. Preserve image1 faces, identities, strong screaming expressions, every hand/finger, arm gestures and cloth prop, positions, room/table/door, camera distance and knee-to-head crop. Preserve true cotton texture without decoration. Do not smooth skin or add any gloss. Preserve entire head. Original single horizontal16:9 still. No text or overlays.


否定：怒吼羞辱
版本：膝上定稿 · 原始生成与精修
来源：F:\经典片段二创\亲爱的小孩\三视图与分镜_20261010\交付文档\人物三视图与分镜生成提示词.md

Create ONE photorealistic live-action storyboard still, horizontal 16:9, continuous domestic argument. Ref1 fixes the EXACT approved woman face/body/wardrobe. Ref2 fixes the EXACT approved man face/body/wardrobe. Ref3 is our scene/camera/anger master: preserve the room geography, ordinary neutral daylight, props and consistent identity. Woman 170cm design, man180cm design. Woman low black ponytail, small silver studs, cream fine knit shallow Vneck sweater, light camel highwaisted trousers dark brown belt. Man neat short black hair, clean-shaven, PLAIN SOLID MATTE NAVY cotton button shirt sleeves rolled forearms, NO patterns/paisley/tonal floral motif, taupe-gray trousers dark brown belt.
CRITICAL FRAMING EVERY PERSON from KNEES to COMPLETE TOP OF HEAD, both kneecap region and full heads included; lower legs and shoes outside picture. NOT chest-up/waist-up, NOT full body, NOT distant wide. The actors fill most picture height, top headroom just3–5%; camera follow their posture if seated, standing or kneeling to retain knee-to-head. Anatomically correct real adults.
PERFORMANCE is already MAXIMALLY ANGRY, HOARSE STRAINED SCREAMING from the FIRST spoken word to the last. No calm beginning or gentle ending. Anger does not slowly develop into shouting; it is here throughout. Speaker caught in powerful enraged open-mouthed yell with vertically open jaw, tense neck, knitted brow, tense lower eyelids, sharp angry gaze, braced chest/shoulders, natural teeth/tongue. Listening counterpart holds unmistakably furious jaw/brow/tensed hands, not vacant polite silence. Rage and breakdown can coexist; never glamorous sadness or smiling. Match unique identity under expression, not grotesque distortion.
Natural healthy MATTE facial skin, small realistic pores, normal color irregularity, subtle lines, zero oily specular forehead/nose/cheeks, no beauty gloss, plastic smoothing or exaggerated fake grain. Real cotton/wood textures, subdued graywhite/wood colors, readable lived-in spatial depth, no unified green/orange tint or studio glamour light. Foreground table/door and rear doorway/window retain geography without small actors.
ROOM: woman LEFT and man RIGHT of foreground rectangular brown wooden table at start; sofa/bookshelf on left, TV/low console on right, rear opening shows dining and balcony in center; actual solid gray entry door near right separate from balcony. A narrow shallow freestanding dark wood 3-drawer entry cabinet is beside gray door, distinct from TV console. Table props: red notebook LEFT, bluewhite mug LEFT, clear daisy vase CENTER; pale cloth in man's RIGHT hand until specified placed table right. No duplicated tables/doors/people. No typography/numbers/subtitles/logo/black bars/borders. Single still, not collage.

SHOT: standing KNEE-to-head two-shot, man RIGHT leaning into furious verbal rejection, screaming at woman with LEFT hand hard slicing outward; his RIGHT hand has just released pale cloth onto TABLE RIGHT edge, clearly now on surface, not also in fist. Woman LEFT meets him with furious wide eyes, clenched fists at hips, shoulders tremble with enraged breakdown, open mouth in angry reply. Shows shouting rejection 'I don't want to go home / I don't want to see you' and contempt 'playing virtuous wife makes me sick.' Don't portray woman as calm listening or submissive crying, her rage remains. Table notebook left, mug left, vasecenter stay intact.


Make a precise LOCAL WARDROBE EDIT to image1 only. REMOVE all ornamental markings, swirls, tonal floral/paisley, printed or embossed patterns from the MAN'S NAVY SHIRT. Make every area of that shirt clean PLAIN SOLID DARK NAVY MATTE cotton, with ordinary folds and seams only, exactly like the plain shirt in image2. Do not merely reduce pattern opacity: eliminate the pattern entirely, on both sleeves, shoulders, chest pocket and torso. Image2 is reference for PLAIN CLOTH ONLY, do not copy its seated poses. Preserve image1 faces, identities, strong screaming expressions, every hand/finger, arm gestures and cloth prop, positions, room/table/door, camera distance and knee-to-head crop. Preserve true cotton texture without decoration. Do not smooth skin or add any gloss. Preserve entire head. Original single horizontal16:9 still. No text or overlays.


逐客：嘶吼与拉椅
版本：膝上定稿 · 原始生成与精修
来源：F:\经典片段二创\亲爱的小孩\三视图与分镜_20261010\交付文档\人物三视图与分镜生成提示词.md

Create ONE photorealistic live-action storyboard still, horizontal 16:9, continuous domestic argument. Ref1 fixes the EXACT approved woman face/body/wardrobe. Ref2 fixes the EXACT approved man face/body/wardrobe. Ref3 is our scene/camera/anger master: preserve the room geography, ordinary neutral daylight, props and consistent identity. Woman 170cm design, man180cm design. Woman low black ponytail, small silver studs, cream fine knit shallow Vneck sweater, light camel highwaisted trousers dark brown belt. Man neat short black hair, clean-shaven, PLAIN SOLID MATTE NAVY cotton button shirt sleeves rolled forearms, NO patterns/paisley/tonal floral motif, taupe-gray trousers dark brown belt.
CRITICAL FRAMING EVERY PERSON from KNEES to COMPLETE TOP OF HEAD, both kneecap region and full heads included; lower legs and shoes outside picture. NOT chest-up/waist-up, NOT full body, NOT distant wide. The actors fill most picture height, top headroom just3–5%; camera follow their posture if seated, standing or kneeling to retain knee-to-head. Anatomically correct real adults.
PERFORMANCE is already MAXIMALLY ANGRY, HOARSE STRAINED SCREAMING from the FIRST spoken word to the last. No calm beginning or gentle ending. Anger does not slowly develop into shouting; it is here throughout. Speaker caught in powerful enraged open-mouthed yell with vertically open jaw, tense neck, knitted brow, tense lower eyelids, sharp angry gaze, braced chest/shoulders, natural teeth/tongue. Listening counterpart holds unmistakably furious jaw/brow/tensed hands, not vacant polite silence. Rage and breakdown can coexist; never glamorous sadness or smiling. Match unique identity under expression, not grotesque distortion.
Natural healthy MATTE facial skin, small realistic pores, normal color irregularity, subtle lines, zero oily specular forehead/nose/cheeks, no beauty gloss, plastic smoothing or exaggerated fake grain. Real cotton/wood textures, subdued graywhite/wood colors, readable lived-in spatial depth, no unified green/orange tint or studio glamour light. Foreground table/door and rear doorway/window retain geography without small actors.
ROOM: woman LEFT and man RIGHT of foreground rectangular brown wooden table at start; sofa/bookshelf on left, TV/low console on right, rear opening shows dining and balcony in center; actual solid gray entry door near right separate from balcony. A narrow shallow freestanding dark wood 3-drawer entry cabinet is beside gray door, distinct from TV console. Table props: red notebook LEFT, bluewhite mug LEFT, clear daisy vase CENTER; pale cloth in man's RIGHT hand until specified placed table right. No duplicated tables/doors/people. No typography/numbers/subtitles/logo/black bars/borders. Single still, not collage.

SHOT: same physical room, both STANDING with KNEES-to-head crop. Woman LEFT furious open-mouthed scream, one rigid arm points diagonally toward the actual near-right gray ENTRY door while other hand clearly grips upper back rail of her own EMPTY wooden chair and yanks chair backwards beside her. Chair grounded, only small tilt shown, chair not thrown or touching man. Man RIGHT ducks and retreats half-step with angry clenched face and tense shoulders; his hands EMPTY, cloth remains on TABLE RIGHT. Furniture action visually legible at knee crop; do not pull camera back to reveal feet. Dialogue meaning 'Get out now / Sleep with whoever you want'. Intense rage. Notebook mug vase remain table, no arbitrary broken glass.


Make a precise LOCAL WARDROBE EDIT to image1 only. REMOVE all ornamental markings, swirls, tonal floral/paisley, printed or embossed patterns from the MAN'S NAVY SHIRT. Make every area of that shirt clean PLAIN SOLID DARK NAVY MATTE cotton, with ordinary folds and seams only, exactly like the plain shirt in image2. Do not merely reduce pattern opacity: eliminate the pattern entirely, on both sleeves, shoulders, chest pocket and torso. Image2 is reference for PLAIN CLOTH ONLY, do not copy its seated poses. Preserve image1 faces, identities, strong screaming expressions, every hand/finger, arm gestures and cloth prop, positions, room/table/door, camera distance and knee-to-head crop. Preserve true cotton texture without decoration. Do not smooth skin or add any gloss. Preserve entire head. Original single horizontal16:9 still. No text or overlays.


门槛：嘶吼驱离
版本：膝上定稿 · 原始生成与精修
来源：F:\经典片段二创\亲爱的小孩\三视图与分镜_20261010\交付文档\人物三视图与分镜生成提示词.md

Create ONE photorealistic live-action storyboard still, horizontal 16:9, continuous domestic argument. Ref1 fixes the EXACT approved woman face/body/wardrobe. Ref2 fixes the EXACT approved man face/body/wardrobe. Ref3 is our scene/camera/anger master: preserve the room geography, ordinary neutral daylight, props and consistent identity. Woman 170cm design, man180cm design. Woman low black ponytail, small silver studs, cream fine knit shallow Vneck sweater, light camel highwaisted trousers dark brown belt. Man neat short black hair, clean-shaven, PLAIN SOLID MATTE NAVY cotton button shirt sleeves rolled forearms, NO patterns/paisley/tonal floral motif, taupe-gray trousers dark brown belt.
CRITICAL FRAMING EVERY PERSON from KNEES to COMPLETE TOP OF HEAD, both kneecap region and full heads included; lower legs and shoes outside picture. NOT chest-up/waist-up, NOT full body, NOT distant wide. The actors fill most picture height, top headroom just3–5%; camera follow their posture if seated, standing or kneeling to retain knee-to-head. Anatomically correct real adults.
PERFORMANCE is already MAXIMALLY ANGRY, HOARSE STRAINED SCREAMING from the FIRST spoken word to the last. No calm beginning or gentle ending. Anger does not slowly develop into shouting; it is here throughout. Speaker caught in powerful enraged open-mouthed yell with vertically open jaw, tense neck, knitted brow, tense lower eyelids, sharp angry gaze, braced chest/shoulders, natural teeth/tongue. Listening counterpart holds unmistakably furious jaw/brow/tensed hands, not vacant polite silence. Rage and breakdown can coexist; never glamorous sadness or smiling. Match unique identity under expression, not grotesque distortion.
Natural healthy MATTE facial skin, small realistic pores, normal color irregularity, subtle lines, zero oily specular forehead/nose/cheeks, no beauty gloss, plastic smoothing or exaggerated fake grain. Real cotton/wood textures, subdued graywhite/wood colors, readable lived-in spatial depth, no unified green/orange tint or studio glamour light. Foreground table/door and rear doorway/window retain geography without small actors.
ROOM: woman LEFT and man RIGHT of foreground rectangular brown wooden table at start; sofa/bookshelf on left, TV/low console on right, rear opening shows dining and balcony in center; actual solid gray entry door near right separate from balcony. A narrow shallow freestanding dark wood 3-drawer entry cabinet is beside gray door, distinct from TV console. Table props: red notebook LEFT, bluewhite mug LEFT, clear daisy vase CENTER; pale cloth in man's RIGHT hand until specified placed table right. No duplicated tables/doors/people. No typography/numbers/subtitles/logo/black bars/borders. Single still, not collage.

SHOT: camera shifts along interior of room toward NEAR RIGHT solid gray ENTRY door, medium KNEE-TO-HEAD two-person composition. Man on RIGHT, furious brows/jaw, body twists to leave through partly OPEN gray door; his near hand on handle, other empty. His full head and knees in frame, legs/shoes cropped. Woman LEFT behind him only one step, extends rigid arm toward doorway while SCREAMING with furious mouth wideopen, shoulders and throat straining, glaring at him. Entry cabinet beside door visible enough for future continuity. Her 'Get out! Get out! Never come to my home again' remains screamed; man no new invented line. Background oblique tabletop shows cloth at right, notebook/mugleft and vasecenter; movedemptychair. Exit is solid front door, not balcony. No extra people in hallway.


Make a precise LOCAL WARDROBE EDIT to image1 only. REMOVE all ornamental markings, swirls, tonal floral/paisley, printed or embossed patterns from the MAN'S NAVY SHIRT. Make every area of that shirt clean PLAIN SOLID DARK NAVY MATTE cotton, with ordinary folds and seams only, exactly like the plain shirt in image2. Do not merely reduce pattern opacity: eliminate the pattern entirely, on both sleeves, shoulders, chest pocket and torso. Image2 is reference for PLAIN CLOTH ONLY, do not copy its seated poses. Preserve image1 faces, identities, strong screaming expressions, every hand/finger, arm gestures and cloth prop, positions, room/table/door, camera distance and knee-to-head crop. Preserve true cotton texture without decoration. Do not smooth skin or add any gloss. Preserve entire head. Original single horizontal16:9 still. No text or overlays.


关门后：对空门嘶吼
版本：膝上定稿 · 原始生成与精修
来源：F:\经典片段二创\亲爱的小孩\三视图与分镜_20261010\交付文档\人物三视图与分镜生成提示词.md

Create ONE photorealistic live-action storyboard still, horizontal 16:9, continuous domestic argument. Ref1 fixes the EXACT approved woman face/body/wardrobe. Ref2 fixes the EXACT approved man face/body/wardrobe. Ref3 is our scene/camera/anger master: preserve the room geography, ordinary neutral daylight, props and consistent identity. Woman 170cm design, man180cm design. Woman low black ponytail, small silver studs, cream fine knit shallow Vneck sweater, light camel highwaisted trousers dark brown belt. Man neat short black hair, clean-shaven, PLAIN SOLID MATTE NAVY cotton button shirt sleeves rolled forearms, NO patterns/paisley/tonal floral motif, taupe-gray trousers dark brown belt.
CRITICAL FRAMING EVERY PERSON from KNEES to COMPLETE TOP OF HEAD, both kneecap region and full heads included; lower legs and shoes outside picture. NOT chest-up/waist-up, NOT full body, NOT distant wide. The actors fill most picture height, top headroom just3–5%; camera follow their posture if seated, standing or kneeling to retain knee-to-head. Anatomically correct real adults.
PERFORMANCE is already MAXIMALLY ANGRY, HOARSE STRAINED SCREAMING from the FIRST spoken word to the last. No calm beginning or gentle ending. Anger does not slowly develop into shouting; it is here throughout. Speaker caught in powerful enraged open-mouthed yell with vertically open jaw, tense neck, knitted brow, tense lower eyelids, sharp angry gaze, braced chest/shoulders, natural teeth/tongue. Listening counterpart holds unmistakably furious jaw/brow/tensed hands, not vacant polite silence. Rage and breakdown can coexist; never glamorous sadness or smiling. Match unique identity under expression, not grotesque distortion.
Natural healthy MATTE facial skin, small realistic pores, normal color irregularity, subtle lines, zero oily specular forehead/nose/cheeks, no beauty gloss, plastic smoothing or exaggerated fake grain. Real cotton/wood textures, subdued graywhite/wood colors, readable lived-in spatial depth, no unified green/orange tint or studio glamour light. Foreground table/door and rear doorway/window retain geography without small actors.
ROOM: woman LEFT and man RIGHT of foreground rectangular brown wooden table at start; sofa/bookshelf on left, TV/low console on right, rear opening shows dining and balcony in center; actual solid gray entry door near right separate from balcony. A narrow shallow freestanding dark wood 3-drawer entry cabinet is beside gray door, distinct from TV console. Table props: red notebook LEFT, bluewhite mug LEFT, clear daisy vase CENTER; pale cloth in man's RIGHT hand until specified placed table right. No duplicated tables/doors/people. No typography/numbers/subtitles/logo/black bars/borders. Single still, not collage.

SHOT: ONLY THE APPROVED WOMAN appears, despite male identity reference do NOT include man anywhere, reflections or background. Interior view threequarter of woman LEFT facing CLOSED solidgray ENTRY door RIGHT. KNEES-to-head portrait within horizontal16:9, head just below top, trouser kneecaps at bottom edge, no shoes. Woman furiously SCREAMING directly at closed door, mouth open wide, brow tightly contracted, neck taut, one hand raised toward door at chestheight, fingers tense, other clenched at side. Her last insults are still rage/scream, not quiet sadness. Room depth behind left remains familiar; narrow dark wood 3-drawer freestanding cabinet near door still upright, small ceramic bowl on top. Don't add shine or streaming glossy tears; normal matte skin.


Edit ONLY THE BACKGROUND GEOGRAPHY of image1 to match the exact room in image2. Image1's woman, fierce SCREAMING face and raised hand pose, closed gray entry door, knee-to-head crop MUST remain. Image2 has the correct FOREGROUND dining-size wooden table LEFT REAR with red closed notebook LEFT, bluewhite mug LEFT, clear daisy vase CENTER, palecloth RIGHT and pulled-back empty wooden chair. Reproduce that table correctly instead of image1's low coffee table and unrelated stack of books; no second duplicated flower vase. Match image2's narrow dark wooden THREE-DRAWER cabinet and white plantpot+small bowl beside the CLOSED gray door. Only the approved female, no man. Preserve matte natural skin, strong angry yelling, cream Vneck fineknit top, camel trousers, darkbrown belt, low ponytail and small earrings. This is a spatial-continuity repair, keep expression and handpose from image1. Eyelevel 16:9 fromknees to entireheadtop, no shoes/lowerlegs/fullbody. No words or labels.


Precise LOCAL CLOTHING RETOUCH of the provided image: remove the artificial decorative pale swirling lines, brocade/paisley patterns and embossed doodle textures on the WOMAN'S CAMEL TROUSERS. Make the trouser fabric COMPLETELY PLAIN SOLID LIGHT CAMEL MATTE woven cotton, uniform unprinted fabric, just ordinary soft physical folds/seams and subtle true weave. REMOVE ALL WHITE CURL/PAISLEY DRAWINGS everywhere on thighs and knees. Keep shading and natural wrinkles, do not make glossy satin. This fixes unwanted AI cloth artifacts. Keep every other pixel/content as consistent as possible: SAME furious screaming face and mouth, matte skin, exact person identity, pose and hand gestures, entire head, knees at framebottom, no ankles/feet, cream sweater, brown belt, room/closeddoor/table/cabinet/plant/bowl states all unchanged. Do not add/move anything or alter camera. One single16:9 image, no text.


余怒：失控折返
版本：膝上定稿 · 原始生成与精修
来源：F:\经典片段二创\亲爱的小孩\三视图与分镜_20261010\交付文档\人物三视图与分镜生成提示词.md

Create ONE photorealistic live-action storyboard still, horizontal 16:9, continuous domestic argument. Ref1 fixes the EXACT approved woman face/body/wardrobe. Ref2 fixes the EXACT approved man face/body/wardrobe. Ref3 is our scene/camera/anger master: preserve the room geography, ordinary neutral daylight, props and consistent identity. Woman 170cm design, man180cm design. Woman low black ponytail, small silver studs, cream fine knit shallow Vneck sweater, light camel highwaisted trousers dark brown belt. Man neat short black hair, clean-shaven, PLAIN SOLID MATTE NAVY cotton button shirt sleeves rolled forearms, NO patterns/paisley/tonal floral motif, taupe-gray trousers dark brown belt.
CRITICAL FRAMING EVERY PERSON from KNEES to COMPLETE TOP OF HEAD, both kneecap region and full heads included; lower legs and shoes outside picture. NOT chest-up/waist-up, NOT full body, NOT distant wide. The actors fill most picture height, top headroom just3–5%; camera follow their posture if seated, standing or kneeling to retain knee-to-head. Anatomically correct real adults.
PERFORMANCE is already MAXIMALLY ANGRY, HOARSE STRAINED SCREAMING from the FIRST spoken word to the last. No calm beginning or gentle ending. Anger does not slowly develop into shouting; it is here throughout. Speaker caught in powerful enraged open-mouthed yell with vertically open jaw, tense neck, knitted brow, tense lower eyelids, sharp angry gaze, braced chest/shoulders, natural teeth/tongue. Listening counterpart holds unmistakably furious jaw/brow/tensed hands, not vacant polite silence. Rage and breakdown can coexist; never glamorous sadness or smiling. Match unique identity under expression, not grotesque distortion.
Natural healthy MATTE facial skin, small realistic pores, normal color irregularity, subtle lines, zero oily specular forehead/nose/cheeks, no beauty gloss, plastic smoothing or exaggerated fake grain. Real cotton/wood textures, subdued graywhite/wood colors, readable lived-in spatial depth, no unified green/orange tint or studio glamour light. Foreground table/door and rear doorway/window retain geography without small actors.
ROOM: woman LEFT and man RIGHT of foreground rectangular brown wooden table at start; sofa/bookshelf on left, TV/low console on right, rear opening shows dining and balcony in center; actual solid gray entry door near right separate from balcony. A narrow shallow freestanding dark wood 3-drawer entry cabinet is beside gray door, distinct from TV console. Table props: red notebook LEFT, bluewhite mug LEFT, clear daisy vase CENTER; pale cloth in man's RIGHT hand until specified placed table right. No duplicated tables/doors/people. No typography/numbers/subtitles/logo/black bars/borders. Single still, not collage.

SHOT: ONLY approved woman in entry zone. Keep KNEES-to-head and camera not distant. View threequarter at eye level, closedgray entry door right rear; narrow shallow dark wood THREE-DRAWER freestanding cabinet on RIGHT beside door, distinguish low TV console further away. Cabinet still UPRIGHT with small plain ceramic bowl on top. Female stands on LEFT side of cabinet, torso hunched forward in uncontrolled angry sobbing/yelling, mouth OPEN in an angry wordless cry, brows deeply clenched, one forearm lifted near temple but not covering face, other hand reaches toward upper front-left edge of cabinet. Her anger/screaming continues even without extra written dialogue, emotionally collapsing rather than becoming calm. Her legs at knees remain visible bottom crop; NO feet, no fullbody. Behind left familiar table with notebookleft/mugleft/vasecenter/clothright and empty chair pulled back. No man, no shadows/reflections of him.


Precise LOCAL CLOTHING RETOUCH of the provided image: remove the artificial decorative pale swirling lines, brocade/paisley patterns and embossed doodle textures on the WOMAN'S CAMEL TROUSERS. Make the trouser fabric COMPLETELY PLAIN SOLID LIGHT CAMEL MATTE woven cotton, uniform unprinted fabric, just ordinary soft physical folds/seams and subtle true weave. REMOVE ALL WHITE CURL/PAISLEY DRAWINGS everywhere on thighs and knees. Keep shading and natural wrinkles, do not make glossy satin. This fixes unwanted AI cloth artifacts. Keep every other pixel/content as consistent as possible: SAME furious screaming face and mouth, matte skin, exact person identity, pose and hand gestures, entire head, knees at framebottom, no ankles/feet, cream sweater, brown belt, room/closeddoor/table/cabinet/plant/bowl states all unchanged. Do not add/move anything or alter camera. One single16:9 image, no text.


柜边：怒吼中失力
版本：膝上定稿 · 原始生成与精修
来源：F:\经典片段二创\亲爱的小孩\三视图与分镜_20261010\交付文档\人物三视图与分镜生成提示词.md

Create the NEXT single photorealistic cinematic storyboard image continuing image1's precise room, cabinet, woman and light. Image2 fixes female identity. Horizontal16:9. ONLY this woman, no other person.
Maintain wardrobe cream Vneck fine knit top, camel trousers, brown belt, black low ponytail, smallsilverearrings and realistic matte skin without facial gloss. SAME narrow freestanding dark wooden THREE-DRAWER cabinet beside the CLOSED gray entry door on the RIGHT, same dark small ceramic bowl and white potted green plant on top; table toleftrear carries same notebookleft, bluewhite mugleft, clearflower vasescenter, paleclothright.
Action: woman on the LEFT outer side of cabinet has just sunk to a deep crouch in a furious emotional breakdown. Both knees bend; she is still yelling a wordless anguished ANGRY scream, eyes tightly furrowed, mouth wide open, cheeks/neck braced, not quietly sad. Her LEFT hand and RIGHT hand grip the front-left top edge of cabinet while her body's uncontrolled sinking weight accidentally PULLS the cabinet toward the EMPTY ROOM FLOOR diagonally forward RIGHT, clearly away from her body on the LEFT. Cabinet has just begun to TILT modestly 12degrees, whole rigid rectangular structure with correctgravity and perspective, drawers stayclosed, no rubber or extra panels. Hands visibly grip real edge, not floating. White plantpot and bowl begin to slide on top in same direction, not floating.
FRAMING IMPORTANT: camera lowers and follows her crouch, shoots from HER KNEES TO HER COMPLETE HEAD TOP ONLY; her bent trouser knees in lower frame, NO FEET/SHOES/LOWER LEGS. Her head/torso large enough to read furious cry; no distant fullbody or tiny person dwarfed by room. Cabinet may extend toframeedge. Maintain natural geometry and readability of causal hand contact and forward tilting awayfromher. Her shouldersstrain, one knee nearerbottom but ankles cropped. Doorclosed, man absent.
Ordinary diffuse daylight, graywhitewalls and warmwood, cleardepth, authentic pores and fabricgrain but no artificial pattern or gloss. This is FULL RAGE plus physical collapse, she has not calmed at any moment. No text, subtitles, labels, montage, borders.


Edit this exact image only for the woman's LOWER BODY POSE AND KNEE-TO-HEAD CROP. Keep her screaming furious face, head, upperbody, two gripping hands, cabinettilt, room and lighting exactly. The requirement is KNEES TO HEAD, but currently lower legs and a shoe are visible: REMOVE THAT COMPOSITION ERROR through realistic pose/recomposition. Her TWO BENT KNEES must lie together along the very BOTTOM EDGE, close together at equal height, while BOTH SHINS, ANKLES AND SHOES extend BACKWARD completely OUTSIDE/BEHIND the frame and are NOT visible. Frame tighter from kneecaps at lower edge to full headtop with smallsafeheadroom; don't cut face or hands. She is deepcrouching beside cabinet, not standing and not sitting fullbody. Her bentknees may be partially clipped at exactbottom but no shin belowknees. Cabinet still tipping toward empty RIGHT foreground away from her LEFTbody, handsgripeedge, bowl&whiteplantpot stillon its top, no personadded. Same furious mouthwideopen cry, anatomically normal body, matte naturalskin, samecream sweater/camel trousers. Horizontal16:9 one still no text.


Precise LOCAL CLOTHING RETOUCH of the provided image: remove the artificial decorative pale swirling lines, brocade/paisley patterns and embossed doodle textures on the WOMAN'S CAMEL TROUSERS. Make the trouser fabric COMPLETELY PLAIN SOLID LIGHT CAMEL MATTE woven cotton, uniform unprinted fabric, just ordinary soft physical folds/seams and subtle true weave. REMOVE ALL WHITE CURL/PAISLEY DRAWINGS everywhere on thighs and knees. Keep shading and natural wrinkles, do not make glossy satin. This fixes unwanted AI cloth artifacts. Keep every other pixel/content as consistent as possible: SAME furious screaming face and mouth, matte skin, exact person identity, pose and hand gestures, entire head, knees at framebottom, no ankles/feet, cream sweater, brown belt, room/closeddoor/table/cabinet/plant/bowl states all unchanged. Do not add/move anything or alter camera. One single16:9 image, no text.


倾倒后：余怒未散
版本：膝上定稿 · 原始生成与精修
来源：F:\经典片段二创\亲爱的小孩\三视图与分镜_20261010\交付文档\人物三视图与分镜生成提示词.md

Generate the immediate NEXT action-result frame after reference1. Same approved woman (identity ref2), clothes, same room and same narrow three-drawer cabinet, ordinary neutral daylight and materials. Onlyone woman, NO male or anyotherfigure. One horizontal16:9 photographicfilmstill.
The narrow darkwood freestanding THREE-DRAWER entry cabinet from reference1 has now toppled onto its SIDE on EMPTY FLOOR to the woman's RIGHT in the near RIGHT foreground, fully separate from her body. Same cabinet shape/3 drawers/knobs/wood; box is a coherent rigid structure in natural perspective lying on broad side, no bent melting wood or extra furniturepieces. White plantpot is fallen on floor by the cabinet at FAR RIGHT along with greenleaves and modest soil spill; small darkbowl fallen nearby on that same empty rightfloor, not under woman, not magically still on overturned top. No glassconfetti.
Woman is seated on floor LEFT of cabinet footprint near CLOSED gray entrydoor. She reflexively raises both forearms defensively beside head WITHOUT obscuring her furious crying face. Her mouth remains wide open in a RAW ANGRY WORDLESS SCREAM/sob, deeply furrowed brows, tense cheeks and neck, clenched anguished angry eyes; she has not become quiet or resigned. No newspokenwords. Angry outcry and emotional collapse together. No injuries, cabinet doesnotlandonher.
STRICT SHOT FRAMING: LOWER camera follows her down and frames her FROM KNEES TO COMPLETE HEADTOP ONLY, NOT fullbody. Both bent trouserknees close together at BOTTOM EDGE in foreground, ALL SHINS, ANKLES AND FEET OUT OF FRAME. Upperbodyandfuriousface large on LEFT half; smallsafeheadroom; include the fallen cabinet to RIGHT without backing away to distant fullbody. No shoe, notevenoneshoetip. Kneeangle is physically plausible seated, lowerlegs beyondbottomedge.
Same blacklowponytail, silverstuds, cream Vneck fineknit, cameltrousers brown belt, natural matte skin with authentic restrainedpores and skin tonevariety, no oilshine. Keep graycloseddoorRIGHTrear, familiar tableLEFTrear with rednotebookleft, bluewhite mugleft, clearflowers center, clothright and displaced emptychairs. Readable architecturaldepth, no greenfilter or shallowbeautybokeh, no textlabels/number/caption/border.


Precise LOCAL CLOTHING RETOUCH of the provided image: remove the artificial decorative pale swirling lines, brocade/paisley patterns and embossed doodle textures on the WOMAN'S CAMEL TROUSERS. Make the trouser fabric COMPLETELY PLAIN SOLID LIGHT CAMEL MATTE woven cotton, uniform unprinted fabric, just ordinary soft physical folds/seams and subtle true weave. REMOVE ALL WHITE CURL/PAISLEY DRAWINGS everywhere on thighs and knees. Keep shading and natural wrinkles, do not make glossy satin. This fixes unwanted AI cloth artifacts. Keep every other pixel/content as consistent as possible: SAME furious screaming face and mouth, matte skin, exact person identity, pose and hand gestures, entire head, knees at framebottom, no ankles/feet, cream sweater, brown belt, room/closeddoor/table/cabinet/plant/bowl states all unchanged. Do not add/move anything or alter camera. One single16:9 image, no text.


G1 · 受辱记忆 · 开场即嘶吼
版本：H3 六段定稿 · Ref2VA
来源：01_提示词/G1_受辱记忆_开场即嘶吼.txt

subject_definitions:
<Subject 1> is the adult Chinese woman whose face and hair come from <Picture 1> and whose 170 cm body proportions and costume come from <Picture 2>: black low ponytail, small silver earrings, cream shallow-V fine-knit top, camel high-waisted plain trousers and a narrow dark-brown belt. The three views depict one woman; her face has natural matte skin texture.
<Subject 2> is the adult Chinese man whose face and hair come from <Picture 3> and whose 180 cm body proportions and costume come from <Picture 4>: short black hair, clean-shaven face, plain solid navy cotton button shirt with sleeves rolled to the forearms, gray-taupe straight trousers and a dark-brown belt. The three views depict one man; his face has natural matte skin texture.
<Subject 3> is the lived-in apartment in the storyboard images: a brown rectangular table, red closed notebook and blue-white mug at table-left, a clear daisy vase at center, sofa and bookshelf at room-left, television at room-right, rear dining/balcony opening, and a solid gray entrance door near screen-right. Beside that entrance is a narrow freestanding dark wooden three-drawer cabinet carrying a white plant pot and a small dark bowl. This cabinet is separate from the television console. Its layout is referenced from <Picture 5>.
<Picture 5> is a storyboard reference for [Shot 1], guiding seated composition, table geography, pointing gesture and already furious facial tension. It supplies shot planning, not a compulsory first frame.

summary:
[reference generation] Generate a 10.125-second live-action domestic argument segment with <Subject 1> and <Subject 2> in <Subject 3>, following <Picture 5> as sequential shot-planning references. Keep knee-to-head framing and furious screaming from the opening through the ending, with newly generated Mandarin dialogue, physical room sound and no music.

retention_analysis:
<Subject 1> (appears in [Shot 1]): fully_preserved - retain her identity, age, body proportions, hair and costume in every shot.
<Subject 2> (appears in [Shot 1]): fully_preserved - retain his identity, age, body proportions, hair and costume until his described departure.
<Subject 3> (appears in [Shot 1]): fully_preserved - retain the architecture, lighting direction, object identities and established room geography as actions change their states.
<Picture 5> ([Shot 1] storyboard plan): partially_preserved - retain seated composition, table geography, pointing gesture and already furious facial tension; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.

detailed_description:
Observational 16:9 live-action drama: neutral daylight, gray-white walls, warm wood, readable architectural depth, matte skin and irregular natural pores. Frame each person from the knees to the complete top of the head; gentle camera-height adjustments preserve this crop, headroom and natural proportions.
[Shot 1] A steady eye-level seated two-shot uses <Picture 5> for composition inside <Subject 3>. <Subject 1>, the cream-knit woman, occupies the left; <Subject 2>, the navy-shirt man, sits at the right. Their bent knees and complete heads remain inside the frame. The red notebook stays closed beside the mug; the man grips the pale cloth in his right hand near the table center. The background doorway remains readable. The still guides their placement and emotional intensity while the gestures develop naturally.

<Subject 1> (S1) immediately leans toward him, brows sharply knitted, nostrils tense, eyes locked on his face. Using an adult Mandarin female voice in a high register, piercing and sharp, with a dry hoarse grain and strained tearing edges; fiercely projected screams with clear consonants, uneven angry breath pressure and brief voice cracks, she screams <d>[Chinese] 我为了给你生孩子</d> Her neck braces visibly; the words carry accusation, with a stressed attack on the childbirth phrase. <Subject 1> (S1) takes one short angry inhale and blasts <d>[Chinese] 我屎拉身上了</d> The syllables are sharply articulated even as the vowel edge roughens. Humiliation appears in her taut lower eyelids and trembling lip corners without weakening her rage.

<Subject 1> (S1) drives forward from the ribs and shouts <d>[Chinese] 我屎拉身上让你伺候我那一回</d> in one sustained accusatory breath, striking the caregiving phrase and its final recollection. Her right index finger extends toward his face but stops across the table, remaining clear of the vase. <Subject 2> listens with pressed lips, a rigid jaw and tightening fingers around the cloth; he does not vocalize. Her left palm braces on the table edge; her shoulders visibly work with each breath.

<Subject 1> (S1) fixes on his eyes and spits out <d>[Chinese] 你嫌弃的表情</d> with a pointed, rasping attack. After a tiny intake of breath, <Subject 1> (S1) screams <d>[Chinese] 我记你一辈子啊 肖路</d> The lifelong accusation is forceful, and the name has a brief angry separation before both syllables are completed; the last syllable carries a raw frayed edge rather than fading away. The accusation remains directed at the man, never toward the lens.

Finish all dialogue by about 9.55 seconds. During the remaining roughly half-second, she retracts the pointing finger into an open palm hovering above the red notebook, still staring furiously at him; he remains seated gripping the cloth. Hold the same knee-to-head composition and angry breathing through the end. There is no repeated line, new utterance or emotional release.

Maintain full-intensity rage from the first word through the ending. Speak every quoted line once in order; listeners hold closed lips and furious eyes. Short angry inhalations preserve clear words.

overall_soundscape:
A faint apartment room tone remains under close, dry breathing, subtle cotton and knit movement, and restrained chair creaks. Keep the vocal texture raw and the words legible without clipping or added echo.

non_diegetic_music:
N/A


G2 · 拍本起身 · 泼妇反击
版本：H3 六段定稿 · Ref2VA
来源：01_提示词/G2_拍本起身_泼妇反击.txt

subject_definitions:
<Subject 1> is the adult Chinese woman whose face and hair come from <Picture 1> and whose 170 cm body proportions and costume come from <Picture 2>: black low ponytail, small silver earrings, cream shallow-V fine-knit top, camel high-waisted plain trousers and a narrow dark-brown belt. The three views depict one woman; her face has natural matte skin texture.
<Subject 2> is the adult Chinese man whose face and hair come from <Picture 3> and whose 180 cm body proportions and costume come from <Picture 4>: short black hair, clean-shaven face, plain solid navy cotton button shirt with sleeves rolled to the forearms, gray-taupe straight trousers and a dark-brown belt. The three views depict one man; his face has natural matte skin texture.
<Subject 3> is the lived-in apartment in the storyboard images: a brown rectangular table, red closed notebook and blue-white mug at table-left, a clear daisy vase at center, sofa and bookshelf at room-left, television at room-right, rear dining/balcony opening, and a solid gray entrance door near screen-right. Beside that entrance is a narrow freestanding dark wooden three-drawer cabinet carrying a white plant pot and a small dark bowl. This cabinet is separate from the television console. Its layout is referenced from <Picture 5>, <Picture 6>, <Picture 7>.
<Picture 5> is a storyboard reference for [Shot 1], guiding the palm resting on the closed red notebook after one slap. It supplies shot planning, not a compulsory first frame.
<Picture 6> is a storyboard reference for [Shot 2], guiding the standing positions reached after both people rise. It supplies shot planning, not a compulsory first frame.
<Picture 7> is a storyboard reference for [Shot 3], guiding the woman with her arms spread at the end of her furious reply. It supplies shot planning, not a compulsory first frame.

summary:
[reference generation] Generate a 12.250-second live-action domestic argument segment with <Subject 1> and <Subject 2> in <Subject 3>, following <Picture 5>, <Picture 6>, <Picture 7> as sequential shot-planning references. Keep knee-to-head framing and furious screaming from the opening through the ending, with newly generated Mandarin dialogue, physical room sound and no music.

retention_analysis:
<Subject 1> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - retain her identity, age, body proportions, hair and costume in every shot.
<Subject 2> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - retain his identity, age, body proportions, hair and costume until his described departure.
<Subject 3> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - retain the architecture, lighting direction, object identities and established room geography as actions change their states.
<Picture 5> ([Shot 1] storyboard plan): partially_preserved - retain the palm resting on the closed red notebook after one slap; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.
<Picture 6> ([Shot 2] storyboard plan): partially_preserved - retain the standing positions reached after both people rise; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.
<Picture 7> ([Shot 3] storyboard plan): partially_preserved - retain the woman with her arms spread at the end of her furious reply; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.

detailed_description:
Observational 16:9 live-action drama: neutral daylight, gray-white walls, warm wood, readable architectural depth, matte skin and irregular natural pores. Frame each person from the knees to the complete top of the head; gentle camera-height adjustments preserve this crop, headroom and natural proportions.
[Shot 1] In <Subject 3>, hold the seated knee-to-head two-shot: <Subject 1>, cream knit, left; <Subject 2>, navy shirt, right. The woman's right palm hovers above the closed red notebook. The man's right fist grips the cloth. <Picture 5> guides the later palm-down position, not a repeated impact.

Using an adult Mandarin female voice in a high register, piercing and sharp, with a dry hoarse grain and strained tearing edges; fiercely projected screams with clear consonants, uneven angry breath pressure and brief voice cracks, <Subject 1> (S1) screams <d>[Chinese] 你跟我说这种话</d> She lifts only her palm. <Subject 1> (S1) then tears into <d>[Chinese] 你他妈也算个人啊你</d> and slaps the closed notebook once with that palm during the insult. The book stays on the tabletop. Her other hand grips the table edge and she leans forward furiously; the man holds a rigid, closed-mouth stare. The brief slap sounds below the words.

[Shot 2] At 00:03.333, cut between complete lines, maintaining the table axis. <Subject 2> transfers the cloth visibly into his left hand as he pushes up from the chair with his free hand. Using an adult Mandarin male voice in a mid-low register, thick chest resonance and a coarse hard edge; forceful rough angry shouting with clipped consonants and hard breath attacks, <Subject 2> (S2) bellows <d>[Chinese] 你嘴给我放干净点</d> while rising. His brows clamp down, throat braces and chest drives the hard attack. The camera lifts smoothly, retaining knees and full heads.

<Subject 1> (S1) rises in direct response and shoots back <d>[Chinese] 我嘴怎么不干净了</d> in her piercing hoarse scream, keeping her eyes on him. Both reach the standing arrangement of <Picture 6>; each chair has scraped backward only once. <Subject 1> (S1) plants herself and hurls <d>[Chinese] 我今天就骂你了</d>, stressing the present defiance with a forward chin thrust. The listener's mouth closes while the other speaks.

[Shot 3] At 00:07.750, cut after that completed line to a standing frontal two-shot, woman left and man right, each cropped at the knees with complete headroom. <Subject 2> (S2) leans toward her without touching and angrily roars <d>[Chinese] 你现在怎么像个泼妇一样</d>, giving the insult a hard abrasive stress. His left hand continues holding the cloth; retain that hand continuity even where <Picture 7> differs. She listens through a clenched jaw, then <Subject 1> (S1) screams <d>[Chinese] 我当然是泼妇了</d> with furious bitter emphasis and spreads both arms once, arriving at the gesture planned by <Picture 7>.

Complete her final syllable by about 11.80 seconds, then hold the open-arm stance through the last 0.45 seconds of angry inhalation. Both remain standing; neither sits back down, resets the gesture or repeats a word. The table props remain upright and the entrance door stays closed.

Maintain full-intensity rage from the first word through the ending. Speak every quoted line once in order; listeners hold closed lips and furious eyes. Short angry inhalations preserve clear words.

overall_soundscape:
Continuous restrained indoor room tone, one dry palm-on-notebook slap, two brief chair scrapes and clothing movement accompany the exchange. Keep impacts subordinate to speech, with short furious breaths between turns and no exaggerated reverberation.

non_diegetic_music:
N/A


G3 · 出轨挑衅 · 互相刺伤
版本：H3 六段定稿 · Ref2VA
来源：01_提示词/G3_出轨挑衅_互相刺伤.txt

subject_definitions:
<Subject 1> is the adult Chinese woman whose face and hair come from <Picture 1> and whose 170 cm body proportions and costume come from <Picture 2>: black low ponytail, small silver earrings, cream shallow-V fine-knit top, camel high-waisted plain trousers and a narrow dark-brown belt. The three views depict one woman; her face has natural matte skin texture.
<Subject 2> is the adult Chinese man whose face and hair come from <Picture 3> and whose 180 cm body proportions and costume come from <Picture 4>: short black hair, clean-shaven face, plain solid navy cotton button shirt with sleeves rolled to the forearms, gray-taupe straight trousers and a dark-brown belt. The three views depict one man; his face has natural matte skin texture.
<Subject 3> is the lived-in apartment in the storyboard images: a brown rectangular table, red closed notebook and blue-white mug at table-left, a clear daisy vase at center, sofa and bookshelf at room-left, television at room-right, rear dining/balcony opening, and a solid gray entrance door near screen-right. Beside that entrance is a narrow freestanding dark wooden three-drawer cabinet carrying a white plant pot and a small dark bowl. This cabinet is separate from the television console. Its layout is referenced from <Picture 5>, <Picture 6>.
<Picture 5> is a storyboard reference for [Shot 1], guiding the already open-arm standing pose at the opening. It supplies shot planning, not a compulsory first frame.
<Picture 6> is a storyboard reference for [Shot 1], guiding the later pointing woman and outward cloth gesture toward the entrance. It supplies shot planning, not a compulsory first frame.

summary:
[reference generation] Generate a 7.292-second live-action domestic argument segment with <Subject 1> and <Subject 2> in <Subject 3>, following <Picture 5>, <Picture 6> as sequential shot-planning references. Keep knee-to-head framing and furious screaming from the opening through the ending, with newly generated Mandarin dialogue, physical room sound and no music.

retention_analysis:
<Subject 1> (appears in [Shot 1]): fully_preserved - retain her identity, age, body proportions, hair and costume in every shot.
<Subject 2> (appears in [Shot 1]): fully_preserved - retain his identity, age, body proportions, hair and costume until his described departure.
<Subject 3> (appears in [Shot 1]): fully_preserved - retain the architecture, lighting direction, object identities and established room geography as actions change their states.
<Picture 5> ([Shot 1] storyboard plan): partially_preserved - retain the already open-arm standing pose at the opening; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.
<Picture 6> ([Shot 1] storyboard plan): partially_preserved - retain the later pointing woman and outward cloth gesture toward the entrance; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.

detailed_description:
Observational 16:9 live-action drama: neutral daylight, gray-white walls, warm wood, readable architectural depth, matte skin and irregular natural pores. Frame each person from the knees to the complete top of the head; gentle camera-height adjustments preserve this crop, headroom and natural proportions.
[Shot 1] Hold a standing eye-level two-shot in <Subject 3>, using <Picture 5> for the starting body arrangement. <Subject 1>, in cream knit, stands on the left with both arms already spread; <Subject 2>, in plain navy, stands on the right holding the pale cloth in his left fist. Both chairs remain pulled back. The framing includes their knees and complete heads.

Using an adult Mandarin female voice in a high register, piercing and sharp, with a dry hoarse grain and strained tearing edges; fiercely projected screams with clear consonants, uneven angry breath pressure and brief voice cracks, <Subject 1> (S1) immediately screams <d>[Chinese] 你有本事跟人去睡呀</d> directly into his face across the table. She converts the existing open-arm pose into one accusatory right index finger, while her left hand drops and clenches. Her brows stay tightly drawn, the jaw opens broadly on stressed vowels, and the pointed challenge cuts through a frayed breath. She strikes the daring phrase and the final sleeping accusation, completing the last syllable before he responds. The movement is a continuation of her stance rather than a fresh opening of both arms.

<Subject 2> listens with a closed mouth and tense cheek muscles. After a short hostile intake, <Subject 2> (S2) replies using an adult Mandarin male voice in a mid-low register, thick chest resonance and a coarse hard edge; forceful rough angry shouting with clipped consonants and hard breath attacks: <d>[Chinese] 对 方一诺 你们就一帮烂货</d> He punches out the opening agreement, gives the woman's full name a brief separate bite, then drives the insult outward in one coarse chest-supported shout. His gaze remains fixed on her; there is no amused grin. She holds the pointing hand steady, lips closed while listening, with furious eyes and shoulders rigid against the insult.

<Subject 2> (S2) takes a compact angry breath and bellows <d>[Chinese] 我就喜欢到外面睡</d>, stressing the preference and the outward destination. His cloth-holding left arm sweeps once toward the solid entrance door near screen-right, developing the gesture in <Picture 6>. The cloth trails naturally from his fist and remains held; the vase is not struck. His right hand stays near the table edge. The camera holds the same axis and crop, preserving the architectural background without pulling away from the actors.

Finish all words by about 6.75 seconds. During the remaining roughly half-second, hold his outward arm and her accusing finger in tense opposition while their breathing remains fierce. Both stay at the table; the door stays shut and the cloth remains in his left hand. The final syllable is fully voiced before his mouth closes into an angry set, leaving a clean action state for the next exchange.

Maintain full-intensity rage from the first word through the ending. Speak every quoted line once in order; listeners hold closed lips and furious eyes. Short angry inhalations preserve clear words.

overall_soundscape:
Low indoor room tone, short dry angry breaths, shirt and knit rustles, and a soft cloth swish form the physical sound bed. Keep voices present and unprocessed, with natural short room reflections and clear syllables.

non_diegetic_music:
N/A


G4 · 拒绝回家 · 正面羞辱
版本：H3 六段定稿 · Ref2VA
来源：01_提示词/G4_拒绝回家_正面羞辱.txt

subject_definitions:
<Subject 1> is the adult Chinese woman whose face and hair come from <Picture 1> and whose 170 cm body proportions and costume come from <Picture 2>: black low ponytail, small silver earrings, cream shallow-V fine-knit top, camel high-waisted plain trousers and a narrow dark-brown belt. The three views depict one woman; her face has natural matte skin texture.
<Subject 2> is the adult Chinese man whose face and hair come from <Picture 3> and whose 180 cm body proportions and costume come from <Picture 4>: short black hair, clean-shaven face, plain solid navy cotton button shirt with sleeves rolled to the forearms, gray-taupe straight trousers and a dark-brown belt. The three views depict one man; his face has natural matte skin texture.
<Subject 3> is the lived-in apartment in the storyboard images: a brown rectangular table, red closed notebook and blue-white mug at table-left, a clear daisy vase at center, sofa and bookshelf at room-left, television at room-right, rear dining/balcony opening, and a solid gray entrance door near screen-right. Beside that entrance is a narrow freestanding dark wooden three-drawer cabinet carrying a white plant pot and a small dark bowl. This cabinet is separate from the television console. Its layout is referenced from <Picture 5>, <Picture 6>.
<Picture 5> is a storyboard reference for [Shot 1], guiding the opening opposition of pointing woman and cloth-holding outward arm. It supplies shot planning, not a compulsory first frame.
<Picture 6> is a storyboard reference for [Shot 1], guiding the later open-hand rejection and cloth resting on table-right. It supplies shot planning, not a compulsory first frame.

summary:
[reference generation] Generate a 10.833-second live-action domestic argument segment with <Subject 1> and <Subject 2> in <Subject 3>, following <Picture 5>, <Picture 6> as sequential shot-planning references. Keep knee-to-head framing and furious screaming from the opening through the ending, with newly generated Mandarin dialogue, physical room sound and no music.

retention_analysis:
<Subject 1> (appears in [Shot 1]): fully_preserved - retain her identity, age, body proportions, hair and costume in every shot.
<Subject 2> (appears in [Shot 1]): fully_preserved - retain his identity, age, body proportions, hair and costume until his described departure.
<Subject 3> (appears in [Shot 1]): fully_preserved - retain the architecture, lighting direction, object identities and established room geography as actions change their states.
<Picture 5> ([Shot 1] storyboard plan): partially_preserved - retain the opening opposition of pointing woman and cloth-holding outward arm; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.
<Picture 6> ([Shot 1] storyboard plan): partially_preserved - retain the later open-hand rejection and cloth resting on table-right; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.

detailed_description:
Observational 16:9 live-action drama: neutral daylight, gray-white walls, warm wood, readable architectural depth, matte skin and irregular natural pores. Frame each person from the knees to the complete top of the head; gentle camera-height adjustments preserve this crop, headroom and natural proportions.
[Shot 1] Hold the standing knee-to-head two-shot in <Subject 3>, <Subject 1> left in cream knit and <Subject 2> right in plain navy, retaining the positions of <Picture 5>. Her right finger points at him; his left arm holds the pale cloth outward toward screen-right. The table remains between them.

Using an adult Mandarin female voice in a high register, piercing and sharp, with a dry hoarse grain and strained tearing edges; fiercely projected screams with clear consonants, uneven angry breath pressure and brief voice cracks, <Subject 1> (S1) throws <d>[Chinese] 你就是烂人</d> at him as a short cutting scream, eyes narrowed and finger rigid. Her final syllable lands before his answer. Using an adult Mandarin male voice in a mid-low register, thick chest resonance and a coarse hard edge; forceful rough angry shouting with clipped consonants and hard breath attacks, <Subject 2> (S2) drives his chest forward and roars <d>[Chinese] 我就是不愿意回家怎么了</d>, stressing refusal and the final challenge. He keeps the cloth held, his face tightened by rage rather than indifference. She closes her mouth to listen, then visibly restrains another outburst with a clenched jaw.

After a compact breath, <Subject 2> (S2) continues <d>[Chinese]  我就是不想看见你</d> with abrasive force, biting the rejection phrase and the words aimed at her. His outward left arm lowers toward the table without yet releasing the cloth. Give her a brief angry inhale after his last word. <Subject 1> (S1) then snaps <d>[Chinese] 你恶心</d> in a piercing, hoarse blast, chin thrust toward him. Her pointing hand drops and curls into a tense fist, while he listens with lips pressed shut.

<Subject 2> (S2) answers with the same hard chest-driven scream, <d>[Chinese] 我一进家门看你演贤妻良母</d> As he speaks, he releases the cloth once onto table-right with a dull soft flop, away from the vase. His now-free left hand lowers beside his body; his right palm opens toward her in an accusatory dismissal. This develops the later state planned by <Picture 6>, preserving the table props and the pulled-back chairs. <Subject 1> stays rooted to the left, furious eyes fixed on him and both hands tense.

<Subject 2> (S2) follows with <d>[Chinese] 跟那儿叽叽歪歪我就恶心</d> in one rough but fully articulated shout, distinctly pronouncing the repeated syllables and completing the final accusation. His neck and jaw remain braced; her rigid response remains visible without copying his mouth movements. The camera stays steady, and neither actor changes sides.

Finish the final word by about 10.30 seconds. The remaining roughly half-second holds his open right palm and her clenched hands through angry breaths. The cloth remains on table-right, the gray entrance door is still closed, and both actors remain standing in the confrontation.

Maintain full-intensity rage from the first word through the ending. Speak every quoted line once in order; listeners hold closed lips and furious eyes. Short angry inhalations preserve clear words.

overall_soundscape:
An even indoor room tone carries short furious inhalations, restrained clothing rustle and one soft cloth impact on wood. Keep the cloth sound below the words and the strained vocal grain audible without digital clipping.

non_diegetic_music:
N/A


G5 · 拉椅逐客 · 男方离场
版本：H3 六段定稿 · Ref2VA
来源：01_提示词/G5_拉椅逐客_男方离场.txt

subject_definitions:
<Subject 1> is the adult Chinese woman whose face and hair come from <Picture 1> and whose 170 cm body proportions and costume come from <Picture 2>: black low ponytail, small silver earrings, cream shallow-V fine-knit top, camel high-waisted plain trousers and a narrow dark-brown belt. The three views depict one woman; her face has natural matte skin texture.
<Subject 2> is the adult Chinese man whose face and hair come from <Picture 3> and whose 180 cm body proportions and costume come from <Picture 4>: short black hair, clean-shaven face, plain solid navy cotton button shirt with sleeves rolled to the forearms, gray-taupe straight trousers and a dark-brown belt. The three views depict one man; his face has natural matte skin texture.
<Subject 3> is the lived-in apartment in the storyboard images: a brown rectangular table, red closed notebook and blue-white mug at table-left, a clear daisy vase at center, sofa and bookshelf at room-left, television at room-right, rear dining/balcony opening, and a solid gray entrance door near screen-right. Beside that entrance is a narrow freestanding dark wooden three-drawer cabinet carrying a white plant pot and a small dark bowl. This cabinet is separate from the television console. Its layout is referenced from <Picture 5>, <Picture 6>, <Picture 7>.
<Picture 5> is a storyboard reference for [Shot 1], guiding the opening standing positions and the cloth already on table-right. It supplies shot planning, not a compulsory first frame.
<Picture 6> is a storyboard reference for [Shot 1], guiding the single chair pull and rightward pointing gesture. It supplies shot planning, not a compulsory first frame.
<Picture 7> is a storyboard reference for [Shot 2], guiding the later doorway position with the man at the handle. It supplies shot planning, not a compulsory first frame.

summary:
[reference generation] Generate a 10.833-second live-action domestic argument segment with <Subject 1> and <Subject 2> in <Subject 3>, following <Picture 5>, <Picture 6>, <Picture 7> as sequential shot-planning references. Keep knee-to-head framing and furious screaming from the opening through the ending, with newly generated Mandarin dialogue, physical room sound and no music.

retention_analysis:
<Subject 1> (appears in [Shot 1], [Shot 2]): fully_preserved - retain her identity, age, body proportions, hair and costume in every shot.
<Subject 2> (appears in [Shot 1], [Shot 2]): fully_preserved - retain his identity, age, body proportions, hair and costume until his described departure.
<Subject 3> (appears in [Shot 1], [Shot 2]): fully_preserved - retain the architecture, lighting direction, object identities and established room geography as actions change their states.
<Picture 5> ([Shot 1] storyboard plan): partially_preserved - retain the opening standing positions and the cloth already on table-right; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.
<Picture 6> ([Shot 1] storyboard plan): partially_preserved - retain the single chair pull and rightward pointing gesture; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.
<Picture 7> ([Shot 2] storyboard plan): partially_preserved - retain the later doorway position with the man at the handle; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.

detailed_description:
Observational 16:9 live-action drama: neutral daylight, gray-white walls, warm wood, readable architectural depth, matte skin and irregular natural pores. Frame each person from the knees to the complete top of the head; gentle camera-height adjustments preserve this crop, headroom and natural proportions.
[Shot 1] In <Subject 3>, begin in the standing table arrangement of <Picture 5>: <Subject 1>, cream knit, left; <Subject 2>, navy shirt, right. The pale cloth already rests on table-right and stays there. Frame both people from their knees to their complete heads. The solid gray entrance door is near screen-right, separate from the rear balcony opening.

Using an adult Mandarin female voice in a high register, piercing and sharp, with a dry hoarse grain and strained tearing edges; fiercely projected screams with clear consonants, uneven angry breath pressure and brief voice cracks, <Subject 1> (S1) erupts immediately with <d>[Chinese] 你个死人渣 现在就给我滚</d> and shoots her right arm toward that entrance. Her left hand catches the near-left chair back. The man closes his mouth, jaw set and brows drawn; he produces no words. <Subject 1> (S1) screams <d>[Chinese] 你爱跟谁睡跟谁睡</d> while dragging the chair once a short distance left and backward, all its legs staying on the floor. Its scrape coincides with the movement but stays below her consonants. He recoils half a step to his right with an angry guarded expression, as planned by <Picture 6>.

<Subject 1> (S1) continues <d>[Chinese] 正眼都不会瞧一眼</d>, projecting contempt as a raw piercing scream rather than a quiet dismissal. She releases the chair, which stops and remains upright. Her finger keeps directing him to the door. He shifts his body toward the exit; the vase, mug and notebook remain undisturbed. A slight lateral camera adjustment preserves both knees and heads without changing the scene axis.

[Shot 2] At 00:05.500, cut after the complete line to a same-axis doorway two-shot, each person still framed knee-to-head. <Subject 2> takes the short remaining path to the nearby entrance while <Subject 1> follows one step, remaining left of him. <Subject 1> (S1) screams <d>[Chinese] 你现在给我滚</d> after his turning shoulder, with a hard attack and frayed final vowel. His shoulders stay rigid and his face remains hostile.

<Subject 1> (S1) shouts <d>[Chinese] 滚 滚</d>, articulating both words with a tiny breath between them. He takes the handle and opens the door, reaching the intermediate arrangement in <Picture 7>. <Subject 1> (S1) then tears into <d>[Chinese] 别再来我家 你个人渣</d>, eyes following him as he crosses the threshold and disappears through screen-right. Her chin and pointing arm remain directed at the exit; the cabinet beside the door remains upright, with pot and bowl on top.

Complete the final syllable by about 10.20 seconds. Only then the man pulls the door closed from outside over the remaining half-second; the latch sounds just before the ending. End on the woman alone, left of the closed door, breathing furiously with a tense open palm. He stays outside and silent.

Maintain full-intensity rage from the first word through the ending. Speak every quoted line once in order; listeners hold closed lips and furious eyes. Short angry inhalations preserve clear words.

overall_soundscape:
Indoor room tone, furious female breaths, one grounded chair scrape, short footsteps, clothing rustle, a handle click and the final door latch remain naturally scaled. The door closes only after the final spoken syllable, so its sound does not cover the words.

non_diegetic_music:
N/A


G6 · 门前末句 · 怒哭倒柜
版本：H3 六段定稿 · Ref2VA
来源：01_提示词/G6_门前末句_怒哭倒柜.txt

subject_definitions:
<Subject 1> is the adult Chinese woman whose face and hair come from <Picture 1> and whose 170 cm body proportions and costume come from <Picture 2>: black low ponytail, small silver earrings, cream shallow-V fine-knit top, camel high-waisted plain trousers and a narrow dark-brown belt. The three views depict one woman; her face has natural matte skin texture.
<Subject 3> is the lived-in apartment in the storyboard images: a brown rectangular table, red closed notebook and blue-white mug at table-left, a clear daisy vase at center, sofa and bookshelf at room-left, television at room-right, rear dining/balcony opening, and a solid gray entrance door near screen-right. Beside that entrance is a narrow freestanding dark wooden three-drawer cabinet carrying a white plant pot and a small dark bowl. This cabinet is separate from the television console. Its layout is referenced from <Picture 3>, <Picture 4>, <Picture 5>, <Picture 6>.
<Picture 3> is a storyboard reference for [Shot 1], guiding the woman shouting at the closed entrance with the man absent. It supplies shot planning, not a compulsory first frame.
<Picture 4> is a storyboard reference for [Shot 2], guiding the intermediate hand-to-cabinet contact while the cabinet is upright. It supplies shot planning, not a compulsory first frame.
<Picture 5> is a storyboard reference for [Shot 2], guiding the intermediate crouch and first cabinet tilt. It supplies shot planning, not a compulsory first frame.
<Picture 6> is a storyboard reference for [Shot 2], guiding the fallen cabinet, spilled pot and raised hands after the impact. It supplies shot planning, not a compulsory first frame.

summary:
[reference generation] Generate a 10.833-second live-action domestic argument segment with <Subject 1> alone in <Subject 3>, following <Picture 3>, <Picture 4>, <Picture 5>, <Picture 6> as sequential shot-planning references. Keep knee-to-head framing and furious screaming from the opening through the ending, with newly generated Mandarin dialogue, physical room sound and no music.

retention_analysis:
<Subject 1> (appears in [Shot 1], [Shot 2]): fully_preserved - retain her identity, age, body proportions, hair and costume in every shot.
<Subject 3> (appears in [Shot 1], [Shot 2]): fully_preserved - retain the architecture, lighting direction, object identities and established room geography as actions change their states.
<Picture 3> ([Shot 1] storyboard plan): partially_preserved - retain the woman shouting at the closed entrance with the man absent; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.
<Picture 4> ([Shot 2] storyboard plan): partially_preserved - retain the intermediate hand-to-cabinet contact while the cabinet is upright; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.
<Picture 5> ([Shot 2] storyboard plan): partially_preserved - retain the intermediate crouch and first cabinet tilt; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.
<Picture 6> ([Shot 2] storyboard plan): partially_preserved - retain the fallen cabinet, spilled pot and raised hands after the impact; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.

detailed_description:
Observational 16:9 live-action drama: neutral daylight, gray-white walls, warm wood, readable architectural depth, matte skin and irregular natural pores. Frame each person from the knees to the complete top of the head; gentle camera-height adjustments preserve this crop, headroom and natural proportions.
[Shot 1] Inside <Subject 3>, <Subject 1> stands alone to the left of the closed gray entrance, in cream knit and camel trousers. Use <Picture 3> for her placement and furious doorway expression. Frame her knees through the complete top of her head. The narrow three-drawer cabinet is still upright at her right, carrying the white plant pot and small dark bowl. The man has already left and remains absent.

Using an adult Mandarin female voice in a high register, piercing and sharp, with a dry hoarse grain and strained tearing edges; fiercely projected screams with clear consonants, uneven angry breath pressure and brief voice cracks, <Subject 1> (S1) immediately screams <d>[Chinese] 你怎么不去死呢</d> toward the door, brow tightly drawn, neck braced and open hand rigid in the air. After a compact angry inhale, <Subject 1> (S1) hurls <d>[Chinese] 去死吧你</d> in a piercing rasp, pronouncing every syllable fully. Complete this last line by about 2.85 seconds, then hold her furious gaze on the closed door through a wordless, rasping exhalation.

[Shot 2] At 00:03.500, cut after both complete lines to a slightly more oblique view from the same room side, retaining the knee-to-head crop. She turns half a step away, then folds back toward the cabinet under another wave of anger. <Subject 1> (S1) releases a short, sharp, hoarse wordless cry as one palm finds the cabinet's top edge and the other briefly braces beside her temple, passing through the contact pose planned by <Picture 4>. The cabinet and its objects are still upright at first contact.

Her second hand joins the first on the cabinet's upper left edge. As her knees buckle into a deep crouch on its left, her palms press diagonally down and toward screen-right. Show the weight shift continuously: the freestanding cabinet first rocks, then tips toward the empty right foreground, passing through the partially tilted state planned by <Picture 5>. She releases both hands before it falls and recoils to its left, raising her hands beside her head. The camera lowers and eases slightly closer, keeping her knees at the lower frame edge, her entire head within small headroom, and the cabinet landing area visible at frame-right.

The same cabinet falls once under gravity and comes to rest on its side by roughly 8 seconds. The white pot and dark bowl slide off to screen-right with soil spilling there, developing the aftermath arrangement of <Picture 6>. Keep the fall and landing in this uninterrupted shot. <Subject 1> (S1) continues broken, furious, wordless cries and rasping breaths beside the settled cabinet until the ending. Her brows remain clenched and shoulders shake; exhaustion stays inside the rage. The door remains closed and the cabinet stays fallen. Leave at least the last 1.5 seconds for her angry physical aftershock after the objects settle.

Maintain full-intensity rage throughout. Speak each quoted line once in order, followed only by wordless vocal sounds. The woman remains the sole visible person and sole vocal source.

overall_soundscape:
Natural indoor room tone continues beneath dry furious breathing and wordless cries. Knit movement, cabinet wood creaking, one heavy wooden impact, a pot thud, bowl clatter and loose soil scattering follow their visible causes; the fall occurs after all dialogue has finished.

non_diegetic_music:
N/A