subject_definitions:
<Subject 1> is the adult Chinese woman whose face and hair come from <Picture 1> and whose 170 cm body proportions and costume come from <Picture 2>: black low ponytail, small silver earrings, cream shallow-V fine-knit top, camel high-waisted plain trousers and a narrow dark-brown belt. The three views depict one woman; her face has natural matte skin texture.
<Subject 3> is the lived-in apartment in the storyboard images: a brown rectangular table, red closed notebook and blue-white mug at table-left, a clear daisy vase at center, sofa and bookshelf at room-left, television at room-right, rear dining/balcony opening, and a solid gray entrance door near screen-right. Beside that entrance is a narrow freestanding dark wooden three-drawer cabinet carrying a white plant pot and a small dark bowl. This cabinet is separate from the television console. Its layout is referenced from <Picture 3>, <Picture 4>, <Picture 5>, <Picture 6>.
<Picture 3> is a storyboard reference for [Shot 1], guiding the woman shouting at the closed entrance with the man absent. It supplies shot planning, not a compulsory first frame.
<Picture 4> is a storyboard reference for [Shot 2], guiding the intermediate hand-to-cabinet contact while the cabinet is upright. It supplies shot planning, not a compulsory first frame.
<Picture 5> is a storyboard reference for [Shot 2], guiding the intermediate crouch and first cabinet tilt. It supplies shot planning, not a compulsory first frame.
<Picture 6> is a storyboard reference for [Shot 2], guiding the fallen cabinet, spilled pot and raised hands after the impact. It supplies shot planning, not a compulsory first frame.

summary:
[reference generation] Generate a 10.833-second live-action domestic argument segment with <Subject 1> alone in <Subject 3>, following <Picture 3>, <Picture 4>, <Picture 5>, <Picture 6> as sequential shot-planning references. Keep knee-to-head framing and furious screaming from the opening through the ending, with newly generated Mandarin dialogue, physical room sound and no music.

retention_analysis:
<Subject 1> (appears in [Shot 1], [Shot 2]): fully_preserved - retain her identity, age, body proportions, hair and costume in every shot.
<Subject 3> (appears in [Shot 1], [Shot 2]): fully_preserved - retain the architecture, lighting direction, object identities and established room geography as actions change their states.
<Picture 3> ([Shot 1] storyboard plan): partially_preserved - retain the woman shouting at the closed entrance with the man absent; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.
<Picture 4> ([Shot 2] storyboard plan): partially_preserved - retain the intermediate hand-to-cabinet contact while the cabinet is upright; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.
<Picture 5> ([Shot 2] storyboard plan): partially_preserved - retain the intermediate crouch and first cabinet tilt; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.
<Picture 6> ([Shot 2] storyboard plan): partially_preserved - retain the fallen cabinet, spilled pot and raised hands after the impact; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.

detailed_description:
Observational 16:9 live-action drama: neutral daylight, gray-white walls, warm wood, readable architectural depth, matte skin and irregular natural pores. Frame each person from the knees to the complete top of the head; gentle camera-height adjustments preserve this crop, headroom and natural proportions.
[Shot 1] Inside <Subject 3>, <Subject 1> stands alone to the left of the closed gray entrance, in cream knit and camel trousers. Use <Picture 3> for her placement and furious doorway expression. Frame her knees through the complete top of her head. The narrow three-drawer cabinet is still upright at her right, carrying the white plant pot and small dark bowl. The man has already left and remains absent.

Using an adult Mandarin female voice in a high register, piercing and sharp, with a dry hoarse grain and strained tearing edges; fiercely projected screams with clear consonants, uneven angry breath pressure and brief voice cracks, <Subject 1> (S1) immediately screams <d>[Chinese] 你怎么不去死呢</d> toward the door, brow tightly drawn, neck braced and open hand rigid in the air. After a compact angry inhale, <Subject 1> (S1) hurls <d>[Chinese] 去死吧你</d> in a piercing rasp, pronouncing every syllable fully. Complete this last line by about 2.85 seconds, then hold her furious gaze on the closed door through a wordless, rasping exhalation.

[Shot 2] At 00:03.500, cut after both complete lines to a slightly more oblique view from the same room side, retaining the knee-to-head crop. She turns half a step away, then folds back toward the cabinet under another wave of anger. <Subject 1> (S1) releases a short, sharp, hoarse wordless cry as one palm finds the cabinet's top edge and the other briefly braces beside her temple, passing through the contact pose planned by <Picture 4>. The cabinet and its objects are still upright at first contact.

Her second hand joins the first on the cabinet's upper left edge. As her knees buckle into a deep crouch on its left, her palms press diagonally down and toward screen-right. Show the weight shift continuously: the freestanding cabinet first rocks, then tips toward the empty right foreground, passing through the partially tilted state planned by <Picture 5>. She releases both hands before it falls and recoils to its left, raising her hands beside her head. The camera lowers and eases slightly closer, keeping her knees at the lower frame edge, her entire head within small headroom, and the cabinet landing area visible at frame-right.

The same cabinet falls once under gravity and comes to rest on its side by roughly 8 seconds. The white pot and dark bowl slide off to screen-right with soil spilling there, developing the aftermath arrangement of <Picture 6>. Keep the fall and landing in this uninterrupted shot. <Subject 1> (S1) continues broken, furious, wordless cries and rasping breaths beside the settled cabinet until the ending. Her brows remain clenched and shoulders shake; exhaustion stays inside the rage. The door remains closed and the cabinet stays fallen. Leave at least the last 1.5 seconds for her angry physical aftershock after the objects settle.

Maintain full-intensity rage throughout. Speak each quoted line once in order, followed only by wordless vocal sounds. The woman remains the sole visible person and sole vocal source.

overall_soundscape:
Natural indoor room tone continues beneath dry furious breathing and wordless cries. Knit movement, cabinet wood creaking, one heavy wooden impact, a pot thud, bowl clatter and loose soil scattering follow their visible causes; the fall occurs after all dialogue has finished.

non_diegetic_music:
N/A
