subject_definitions:
<Subject 1> is the adult Chinese woman whose face and hair come from <Picture 1> and whose 170 cm body proportions and costume come from <Picture 2>: black low ponytail, small silver earrings, cream shallow-V fine-knit top, camel high-waisted plain trousers and a narrow dark-brown belt. The three views depict one woman; her face has natural matte skin texture.
<Subject 2> is the adult Chinese man whose face and hair come from <Picture 3> and whose 180 cm body proportions and costume come from <Picture 4>: short black hair, clean-shaven face, plain solid navy cotton button shirt with sleeves rolled to the forearms, gray-taupe straight trousers and a dark-brown belt. The three views depict one man; his face has natural matte skin texture.
<Subject 3> is the lived-in apartment in the storyboard images: a brown rectangular table, red closed notebook and blue-white mug at table-left, a clear daisy vase at center, sofa and bookshelf at room-left, television at room-right, rear dining/balcony opening, and a solid gray entrance door near screen-right. Beside that entrance is a narrow freestanding dark wooden three-drawer cabinet carrying a white plant pot and a small dark bowl. This cabinet is separate from the television console. Its layout is referenced from <Picture 5>, <Picture 6>, <Picture 7>.
<Picture 5> is a storyboard reference for [Shot 1], guiding the opening standing positions and the cloth already on table-right. It supplies shot planning, not a compulsory first frame.
<Picture 6> is a storyboard reference for [Shot 1], guiding the single chair pull and rightward pointing gesture. It supplies shot planning, not a compulsory first frame.
<Picture 7> is a storyboard reference for [Shot 2], guiding the later doorway position with the man at the handle. It supplies shot planning, not a compulsory first frame.

summary:
[reference generation] Generate a 10.833-second live-action domestic argument segment with <Subject 1> and <Subject 2> in <Subject 3>, following <Picture 5>, <Picture 6>, <Picture 7> as sequential shot-planning references. Keep knee-to-head framing and furious screaming from the opening through the ending, with newly generated Mandarin dialogue, physical room sound and no music.

retention_analysis:
<Subject 1> (appears in [Shot 1], [Shot 2]): fully_preserved - retain her identity, age, body proportions, hair and costume in every shot.
<Subject 2> (appears in [Shot 1], [Shot 2]): fully_preserved - retain his identity, age, body proportions, hair and costume until his described departure.
<Subject 3> (appears in [Shot 1], [Shot 2]): fully_preserved - retain the architecture, lighting direction, object identities and established room geography as actions change their states.
<Picture 5> ([Shot 1] storyboard plan): partially_preserved - retain the opening standing positions and the cloth already on table-right; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.
<Picture 6> ([Shot 1] storyboard plan): partially_preserved - retain the single chair pull and rightward pointing gesture; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.
<Picture 7> ([Shot 2] storyboard plan): partially_preserved - retain the later doorway position with the man at the handle; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.

detailed_description:
Observational 16:9 live-action drama: neutral daylight, gray-white walls, warm wood, readable architectural depth, matte skin and irregular natural pores. Frame each person from the knees to the complete top of the head; gentle camera-height adjustments preserve this crop, headroom and natural proportions.
[Shot 1] In <Subject 3>, begin in the standing table arrangement of <Picture 5>: <Subject 1>, cream knit, left; <Subject 2>, navy shirt, right. The pale cloth already rests on table-right and stays there. Frame both people from their knees to their complete heads. The solid gray entrance door is near screen-right, separate from the rear balcony opening.

Using an adult Mandarin female voice in a high register, piercing and sharp, with a dry hoarse grain and strained tearing edges; fiercely projected screams with clear consonants, uneven angry breath pressure and brief voice cracks, <Subject 1> (S1) erupts immediately with <d>[Chinese] 你个死人渣 现在就给我滚</d> and shoots her right arm toward that entrance. Her left hand catches the near-left chair back. The man closes his mouth, jaw set and brows drawn; he produces no words. <Subject 1> (S1) screams <d>[Chinese] 你爱跟谁睡跟谁睡</d> while dragging the chair once a short distance left and backward, all its legs staying on the floor. Its scrape coincides with the movement but stays below her consonants. He recoils half a step to his right with an angry guarded expression, as planned by <Picture 6>.

<Subject 1> (S1) continues <d>[Chinese] 正眼都不会瞧一眼</d>, projecting contempt as a raw piercing scream rather than a quiet dismissal. She releases the chair, which stops and remains upright. Her finger keeps directing him to the door. He shifts his body toward the exit; the vase, mug and notebook remain undisturbed. A slight lateral camera adjustment preserves both knees and heads without changing the scene axis.

[Shot 2] At 00:05.500, cut after the complete line to a same-axis doorway two-shot, each person still framed knee-to-head. <Subject 2> takes the short remaining path to the nearby entrance while <Subject 1> follows one step, remaining left of him. <Subject 1> (S1) screams <d>[Chinese] 你现在给我滚</d> after his turning shoulder, with a hard attack and frayed final vowel. His shoulders stay rigid and his face remains hostile.

<Subject 1> (S1) shouts <d>[Chinese] 滚 滚</d>, articulating both words with a tiny breath between them. He takes the handle and opens the door, reaching the intermediate arrangement in <Picture 7>. <Subject 1> (S1) then tears into <d>[Chinese] 别再来我家 你个人渣</d>, eyes following him as he crosses the threshold and disappears through screen-right. Her chin and pointing arm remain directed at the exit; the cabinet beside the door remains upright, with pot and bowl on top.

Complete the final syllable by about 10.20 seconds. Only then the man pulls the door closed from outside over the remaining half-second; the latch sounds just before the ending. End on the woman alone, left of the closed door, breathing furiously with a tense open palm. He stays outside and silent.

Maintain full-intensity rage from the first word through the ending. Speak every quoted line once in order; listeners hold closed lips and furious eyes. Short angry inhalations preserve clear words.

overall_soundscape:
Indoor room tone, furious female breaths, one grounded chair scrape, short footsteps, clothing rustle, a handle click and the final door latch remain naturally scaled. The door closes only after the final spoken syllable, so its sound does not cover the words.

non_diegetic_music:
N/A
