subject_definitions:
<Subject 1> is the adult Chinese woman whose face and hair come from <Picture 1> and whose 170 cm body proportions and costume come from <Picture 2>: black low ponytail, small silver earrings, cream shallow-V fine-knit top, camel high-waisted plain trousers and a narrow dark-brown belt. The three views depict one woman; her face has natural matte skin texture.
<Subject 2> is the adult Chinese man whose face and hair come from <Picture 3> and whose 180 cm body proportions and costume come from <Picture 4>: short black hair, clean-shaven face, plain solid navy cotton button shirt with sleeves rolled to the forearms, gray-taupe straight trousers and a dark-brown belt. The three views depict one man; his face has natural matte skin texture.
<Subject 3> is the lived-in apartment in the storyboard images: a brown rectangular table, red closed notebook and blue-white mug at table-left, a clear daisy vase at center, sofa and bookshelf at room-left, television at room-right, rear dining/balcony opening, and a solid gray entrance door near screen-right. Beside that entrance is a narrow freestanding dark wooden three-drawer cabinet carrying a white plant pot and a small dark bowl. This cabinet is separate from the television console. Its layout is referenced from <Picture 5>, <Picture 6>.
<Picture 5> is a storyboard reference for [Shot 1], guiding the opening opposition of pointing woman and cloth-holding outward arm. It supplies shot planning, not a compulsory first frame.
<Picture 6> is a storyboard reference for [Shot 1], guiding the later open-hand rejection and cloth resting on table-right. It supplies shot planning, not a compulsory first frame.

summary:
[reference generation] Generate a 10.833-second live-action domestic argument segment with <Subject 1> and <Subject 2> in <Subject 3>, following <Picture 5>, <Picture 6> as sequential shot-planning references. Keep knee-to-head framing and furious screaming from the opening through the ending, with newly generated Mandarin dialogue, physical room sound and no music.

retention_analysis:
<Subject 1> (appears in [Shot 1]): fully_preserved - retain her identity, age, body proportions, hair and costume in every shot.
<Subject 2> (appears in [Shot 1]): fully_preserved - retain his identity, age, body proportions, hair and costume until his described departure.
<Subject 3> (appears in [Shot 1]): fully_preserved - retain the architecture, lighting direction, object identities and established room geography as actions change their states.
<Picture 5> ([Shot 1] storyboard plan): partially_preserved - retain the opening opposition of pointing woman and cloth-holding outward arm; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.
<Picture 6> ([Shot 1] storyboard plan): partially_preserved - retain the later open-hand rejection and cloth resting on table-right; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.

detailed_description:
Observational 16:9 live-action drama: neutral daylight, gray-white walls, warm wood, readable architectural depth, matte skin and irregular natural pores. Frame each person from the knees to the complete top of the head; gentle camera-height adjustments preserve this crop, headroom and natural proportions.
[Shot 1] Hold the standing knee-to-head two-shot in <Subject 3>, <Subject 1> left in cream knit and <Subject 2> right in plain navy, retaining the positions of <Picture 5>. Her right finger points at him; his left arm holds the pale cloth outward toward screen-right. The table remains between them.

Using an adult Mandarin female voice in a high register, piercing and sharp, with a dry hoarse grain and strained tearing edges; fiercely projected screams with clear consonants, uneven angry breath pressure and brief voice cracks, <Subject 1> (S1) throws <d>[Chinese] 你就是烂人</d> at him as a short cutting scream, eyes narrowed and finger rigid. Her final syllable lands before his answer. Using an adult Mandarin male voice in a mid-low register, thick chest resonance and a coarse hard edge; forceful rough angry shouting with clipped consonants and hard breath attacks, <Subject 2> (S2) drives his chest forward and roars <d>[Chinese] 我就是不愿意回家怎么了</d>, stressing refusal and the final challenge. He keeps the cloth held, his face tightened by rage rather than indifference. She closes her mouth to listen, then visibly restrains another outburst with a clenched jaw.

After a compact breath, <Subject 2> (S2) continues <d>[Chinese]  我就是不想看见你</d> with abrasive force, biting the rejection phrase and the words aimed at her. His outward left arm lowers toward the table without yet releasing the cloth. Give her a brief angry inhale after his last word. <Subject 1> (S1) then snaps <d>[Chinese] 你恶心</d> in a piercing, hoarse blast, chin thrust toward him. Her pointing hand drops and curls into a tense fist, while he listens with lips pressed shut.

<Subject 2> (S2) answers with the same hard chest-driven scream, <d>[Chinese] 我一进家门看你演贤妻良母</d> As he speaks, he releases the cloth once onto table-right with a dull soft flop, away from the vase. His now-free left hand lowers beside his body; his right palm opens toward her in an accusatory dismissal. This develops the later state planned by <Picture 6>, preserving the table props and the pulled-back chairs. <Subject 1> stays rooted to the left, furious eyes fixed on him and both hands tense.

<Subject 2> (S2) follows with <d>[Chinese] 跟那儿叽叽歪歪我就恶心</d> in one rough but fully articulated shout, distinctly pronouncing the repeated syllables and completing the final accusation. His neck and jaw remain braced; her rigid response remains visible without copying his mouth movements. The camera stays steady, and neither actor changes sides.

Finish the final word by about 10.30 seconds. The remaining roughly half-second holds his open right palm and her clenched hands through angry breaths. The cloth remains on table-right, the gray entrance door is still closed, and both actors remain standing in the confrontation.

Maintain full-intensity rage from the first word through the ending. Speak every quoted line once in order; listeners hold closed lips and furious eyes. Short angry inhalations preserve clear words.

overall_soundscape:
An even indoor room tone carries short furious inhalations, restrained clothing rustle and one soft cloth impact on wood. Keep the cloth sound below the words and the strained vocal grain audible without digital clipping.

non_diegetic_music:
N/A
