subject_definitions:
<Subject 1> is the adult Chinese woman whose face and hair come from <Picture 1> and whose 170 cm body proportions and costume come from <Picture 2>: black low ponytail, small silver earrings, cream shallow-V fine-knit top, camel high-waisted plain trousers and a narrow dark-brown belt. The three views depict one woman; her face has natural matte skin texture.
<Subject 2> is the adult Chinese man whose face and hair come from <Picture 3> and whose 180 cm body proportions and costume come from <Picture 4>: short black hair, clean-shaven face, plain solid navy cotton button shirt with sleeves rolled to the forearms, gray-taupe straight trousers and a dark-brown belt. The three views depict one man; his face has natural matte skin texture.
<Subject 3> is the lived-in apartment in the storyboard images: a brown rectangular table, red closed notebook and blue-white mug at table-left, a clear daisy vase at center, sofa and bookshelf at room-left, television at room-right, rear dining/balcony opening, and a solid gray entrance door near screen-right. Beside that entrance is a narrow freestanding dark wooden three-drawer cabinet carrying a white plant pot and a small dark bowl. This cabinet is separate from the television console. Its layout is referenced from <Picture 5>, <Picture 6>, <Picture 7>.
<Picture 5> is a storyboard reference for [Shot 1], guiding the palm resting on the closed red notebook after one slap. It supplies shot planning, not a compulsory first frame.
<Picture 6> is a storyboard reference for [Shot 2], guiding the standing positions reached after both people rise. It supplies shot planning, not a compulsory first frame.
<Picture 7> is a storyboard reference for [Shot 3], guiding the woman with her arms spread at the end of her furious reply. It supplies shot planning, not a compulsory first frame.

summary:
[reference generation] Generate a 12.250-second live-action domestic argument segment with <Subject 1> and <Subject 2> in <Subject 3>, following <Picture 5>, <Picture 6>, <Picture 7> as sequential shot-planning references. Keep knee-to-head framing and furious screaming from the opening through the ending, with newly generated Mandarin dialogue, physical room sound and no music.

retention_analysis:
<Subject 1> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - retain her identity, age, body proportions, hair and costume in every shot.
<Subject 2> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - retain his identity, age, body proportions, hair and costume until his described departure.
<Subject 3> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - retain the architecture, lighting direction, object identities and established room geography as actions change their states.
<Picture 5> ([Shot 1] storyboard plan): partially_preserved - retain the palm resting on the closed red notebook after one slap; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.
<Picture 6> ([Shot 2] storyboard plan): partially_preserved - retain the standing positions reached after both people rise; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.
<Picture 7> ([Shot 3] storyboard plan): partially_preserved - retain the woman with her arms spread at the end of her furious reply; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.

detailed_description:
Observational 16:9 live-action drama: neutral daylight, gray-white walls, warm wood, readable architectural depth, matte skin and irregular natural pores. Frame each person from the knees to the complete top of the head; gentle camera-height adjustments preserve this crop, headroom and natural proportions.
[Shot 1] In <Subject 3>, hold the seated knee-to-head two-shot: <Subject 1>, cream knit, left; <Subject 2>, navy shirt, right. The woman's right palm hovers above the closed red notebook. The man's right fist grips the cloth. <Picture 5> guides the later palm-down position, not a repeated impact.

Using an adult Mandarin female voice in a high register, piercing and sharp, with a dry hoarse grain and strained tearing edges; fiercely projected screams with clear consonants, uneven angry breath pressure and brief voice cracks, <Subject 1> (S1) screams <d>[Chinese] 你跟我说这种话</d> She lifts only her palm. <Subject 1> (S1) then tears into <d>[Chinese] 你他妈也算个人啊你</d> and slaps the closed notebook once with that palm during the insult. The book stays on the tabletop. Her other hand grips the table edge and she leans forward furiously; the man holds a rigid, closed-mouth stare. The brief slap sounds below the words.

[Shot 2] At 00:03.333, cut between complete lines, maintaining the table axis. <Subject 2> transfers the cloth visibly into his left hand as he pushes up from the chair with his free hand. Using an adult Mandarin male voice in a mid-low register, thick chest resonance and a coarse hard edge; forceful rough angry shouting with clipped consonants and hard breath attacks, <Subject 2> (S2) bellows <d>[Chinese] 你嘴给我放干净点</d> while rising. His brows clamp down, throat braces and chest drives the hard attack. The camera lifts smoothly, retaining knees and full heads.

<Subject 1> (S1) rises in direct response and shoots back <d>[Chinese] 我嘴怎么不干净了</d> in her piercing hoarse scream, keeping her eyes on him. Both reach the standing arrangement of <Picture 6>; each chair has scraped backward only once. <Subject 1> (S1) plants herself and hurls <d>[Chinese] 我今天就骂你了</d>, stressing the present defiance with a forward chin thrust. The listener's mouth closes while the other speaks.

[Shot 3] At 00:07.750, cut after that completed line to a standing frontal two-shot, woman left and man right, each cropped at the knees with complete headroom. <Subject 2> (S2) leans toward her without touching and angrily roars <d>[Chinese] 你现在怎么像个泼妇一样</d>, giving the insult a hard abrasive stress. His left hand continues holding the cloth; retain that hand continuity even where <Picture 7> differs. She listens through a clenched jaw, then <Subject 1> (S1) screams <d>[Chinese] 我当然是泼妇了</d> with furious bitter emphasis and spreads both arms once, arriving at the gesture planned by <Picture 7>.

Complete her final syllable by about 11.80 seconds, then hold the open-arm stance through the last 0.45 seconds of angry inhalation. Both remain standing; neither sits back down, resets the gesture or repeats a word. The table props remain upright and the entrance door stays closed.

Maintain full-intensity rage from the first word through the ending. Speak every quoted line once in order; listeners hold closed lips and furious eyes. Short angry inhalations preserve clear words.

overall_soundscape:
Continuous restrained indoor room tone, one dry palm-on-notebook slap, two brief chair scrapes and clothing movement accompany the exchange. Keep impacts subordinate to speech, with short furious breaths between turns and no exaggerated reverberation.

non_diegetic_music:
N/A
