subject_definitions:
<Subject 1> is the adult Chinese woman whose face and hair come from <Picture 1> and whose 170 cm body proportions and costume come from <Picture 2>: black low ponytail, small silver earrings, cream shallow-V fine-knit top, camel high-waisted plain trousers and a narrow dark-brown belt. The three views depict one woman; her face has natural matte skin texture.
<Subject 2> is the adult Chinese man whose face and hair come from <Picture 3> and whose 180 cm body proportions and costume come from <Picture 4>: short black hair, clean-shaven face, plain solid navy cotton button shirt with sleeves rolled to the forearms, gray-taupe straight trousers and a dark-brown belt. The three views depict one man; his face has natural matte skin texture.
<Subject 3> is the lived-in apartment in the storyboard images: a brown rectangular table, red closed notebook and blue-white mug at table-left, a clear daisy vase at center, sofa and bookshelf at room-left, television at room-right, rear dining/balcony opening, and a solid gray entrance door near screen-right. Beside that entrance is a narrow freestanding dark wooden three-drawer cabinet carrying a white plant pot and a small dark bowl. This cabinet is separate from the television console. Its layout is referenced from <Picture 5>.
<Picture 5> is a storyboard reference for [Shot 1], guiding seated composition, table geography, pointing gesture and already furious facial tension. It supplies shot planning, not a compulsory first frame.

summary:
[reference generation] Generate a 10.125-second live-action domestic argument segment with <Subject 1> and <Subject 2> in <Subject 3>, following <Picture 5> as sequential shot-planning references. Keep knee-to-head framing and furious screaming from the opening through the ending, with newly generated Mandarin dialogue, physical room sound and no music.

retention_analysis:
<Subject 1> (appears in [Shot 1]): fully_preserved - retain her identity, age, body proportions, hair and costume in every shot.
<Subject 2> (appears in [Shot 1]): fully_preserved - retain his identity, age, body proportions, hair and costume until his described departure.
<Subject 3> (appears in [Shot 1]): fully_preserved - retain the architecture, lighting direction, object identities and established room geography as actions change their states.
<Picture 5> ([Shot 1] storyboard plan): partially_preserved - retain seated composition, table geography, pointing gesture and already furious facial tension; adapt exact limb positions and mouth shapes to the continuous actions and alternating spoken turns.

detailed_description:
Observational 16:9 live-action drama: neutral daylight, gray-white walls, warm wood, readable architectural depth, matte skin and irregular natural pores. Frame each person from the knees to the complete top of the head; gentle camera-height adjustments preserve this crop, headroom and natural proportions.
[Shot 1] A steady eye-level seated two-shot uses <Picture 5> for composition inside <Subject 3>. <Subject 1>, the cream-knit woman, occupies the left; <Subject 2>, the navy-shirt man, sits at the right. Their bent knees and complete heads remain inside the frame. The red notebook stays closed beside the mug; the man grips the pale cloth in his right hand near the table center. The background doorway remains readable. The still guides their placement and emotional intensity while the gestures develop naturally.

<Subject 1> (S1) immediately leans toward him, brows sharply knitted, nostrils tense, eyes locked on his face. Using an adult Mandarin female voice in a high register, piercing and sharp, with a dry hoarse grain and strained tearing edges; fiercely projected screams with clear consonants, uneven angry breath pressure and brief voice cracks, she screams <d>[Chinese] 我为了给你生孩子</d> Her neck braces visibly; the words carry accusation, with a stressed attack on the childbirth phrase. <Subject 1> (S1) takes one short angry inhale and blasts <d>[Chinese] 我屎拉身上了</d> The syllables are sharply articulated even as the vowel edge roughens. Humiliation appears in her taut lower eyelids and trembling lip corners without weakening her rage.

<Subject 1> (S1) drives forward from the ribs and shouts <d>[Chinese] 我屎拉身上让你伺候我那一回</d> in one sustained accusatory breath, striking the caregiving phrase and its final recollection. Her right index finger extends toward his face but stops across the table, remaining clear of the vase. <Subject 2> listens with pressed lips, a rigid jaw and tightening fingers around the cloth; he does not vocalize. Her left palm braces on the table edge; her shoulders visibly work with each breath.

<Subject 1> (S1) fixes on his eyes and spits out <d>[Chinese] 你嫌弃的表情</d> with a pointed, rasping attack. After a tiny intake of breath, <Subject 1> (S1) screams <d>[Chinese] 我记你一辈子啊 肖路</d> The lifelong accusation is forceful, and the name has a brief angry separation before both syllables are completed; the last syllable carries a raw frayed edge rather than fading away. The accusation remains directed at the man, never toward the lens.

Finish all dialogue by about 9.55 seconds. During the remaining roughly half-second, she retracts the pointing finger into an open palm hovering above the red notebook, still staring furiously at him; he remains seated gripping the cloth. Hold the same knee-to-head composition and angry breathing through the end. There is no repeated line, new utterance or emotional release.

Maintain full-intensity rage from the first word through the ending. Speak every quoted line once in order; listeners hold closed lips and furious eyes. Short angry inhalations preserve clear words.

overall_soundscape:
A faint apartment room tone remains under close, dry breathing, subtle cotton and knit movement, and restrained chair creaks. Keep the vocal texture raw and the words legible without clipping or added echo.

non_diegetic_music:
N/A
